黄表紙における笑い―恋川春町の作品を中心に―

碩士 === 東吳大學 === 日本語文學系 === 101 ===   Kibyōshi, also called Edo picture book, is a type of light literature in pre-modern Japan, generally distinguished as a genre of kusazōshi. While kibyōshi was only popular for a short period of time, its various contents, ideas, and unique comicalities deserve fu...

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Main Authors: Chen, Tzuyi, 陳子逸
Other Authors: Huang, Chihhuei
Format: Others
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/228nnu
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spelling ndltd-TW-101SCU000790022018-04-10T17:22:00Z http://ndltd.ncl.edu.tw/handle/228nnu 黄表紙における笑い―恋川春町の作品を中心に― 黃表紙的趣味性─以戀川春町的作品為中心─ Chen, Tzuyi 陳子逸 碩士 東吳大學 日本語文學系 101   Kibyōshi, also called Edo picture book, is a type of light literature in pre-modern Japan, generally distinguished as a genre of kusazōshi. While kibyōshi was only popular for a short period of time, its various contents, ideas, and unique comicalities deserve further research.   The first major kibyōshi to be published was “Kinkin sensei eiga no yume” by Koikawa Harumachi in 1775. Therefore, this thesis is a study on Koikawa Harumachi’s literary works, including the other later writers who influenced by Harumachi. The research targets on inspecting the interaction of contents and ideas between a variety of literary works, which deal with “kantan no yume” (an ephemeral dream of prosperity), paradox, and current events respectively. Besides, characteristics and comicalities of these works are also discussed in order to make clear of the authors’ intention. According to the research, find out those authors’ intention simultaneously.   As a result, it managed to achieve a revaluation of Harumachi as a kibyōshi writer, and a redefinition of the elements of comicality of kibyōshi as well as its transition from 1775 through 1781-1789, until its decline after 1794. Huang, Chihhuei 黃智暉 2013 學位論文 ; thesis 142
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description 碩士 === 東吳大學 === 日本語文學系 === 101 ===   Kibyōshi, also called Edo picture book, is a type of light literature in pre-modern Japan, generally distinguished as a genre of kusazōshi. While kibyōshi was only popular for a short period of time, its various contents, ideas, and unique comicalities deserve further research.   The first major kibyōshi to be published was “Kinkin sensei eiga no yume” by Koikawa Harumachi in 1775. Therefore, this thesis is a study on Koikawa Harumachi’s literary works, including the other later writers who influenced by Harumachi. The research targets on inspecting the interaction of contents and ideas between a variety of literary works, which deal with “kantan no yume” (an ephemeral dream of prosperity), paradox, and current events respectively. Besides, characteristics and comicalities of these works are also discussed in order to make clear of the authors’ intention. According to the research, find out those authors’ intention simultaneously.   As a result, it managed to achieve a revaluation of Harumachi as a kibyōshi writer, and a redefinition of the elements of comicality of kibyōshi as well as its transition from 1775 through 1781-1789, until its decline after 1794.
author2 Huang, Chihhuei
author_facet Huang, Chihhuei
Chen, Tzuyi
陳子逸
author Chen, Tzuyi
陳子逸
spellingShingle Chen, Tzuyi
陳子逸
黄表紙における笑い―恋川春町の作品を中心に―
author_sort Chen, Tzuyi
title 黄表紙における笑い―恋川春町の作品を中心に―
title_short 黄表紙における笑い―恋川春町の作品を中心に―
title_full 黄表紙における笑い―恋川春町の作品を中心に―
title_fullStr 黄表紙における笑い―恋川春町の作品を中心に―
title_full_unstemmed 黄表紙における笑い―恋川春町の作品を中心に―
title_sort 黄表紙における笑い―恋川春町の作品を中心に―
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/228nnu
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