The Viewer's awareness of sensational space Take Olafur Eliasson as an example

碩士 === 國立臺灣藝術大學 === 美術教學碩士學位班 === 101 === The present day, in the twenty-first century, Olafur Eliasson and his studio have interdisciplinary pioneering intergraded the spirit of art and the teamwork to his art projects. This strategy provided an opportunity for artists in this field to discuss the...

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Bibliographic Details
Main Authors: Pan, Wen Shiuan, 潘玟箮
Other Authors: Chen, Kuang Yi
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/987nzx
Description
Summary:碩士 === 國立臺灣藝術大學 === 美術教學碩士學位班 === 101 === The present day, in the twenty-first century, Olafur Eliasson and his studio have interdisciplinary pioneering intergraded the spirit of art and the teamwork to his art projects. This strategy provided an opportunity for artists in this field to discuss the “consciously viewer” in the phenomenology that contributed by their knowledge of science, philosophy, sociology, psychology and architecture etc. In result, by connected the reaction of body and the perception of sensory, the viewers’ original perception of mind and space could be re-cognized and re-created into Eliasson’s art projects. This article will introduce Eliasson and his studio from his first began artworks in 1992 to 2012 recent works. It will discuss the concept of his artworks, the interaction with the contemporary arts, his scope of works and the original thought and the background of his arts. It will also explain the processes of his artistic creation in that time. Therefore, Eliasson’s consciousness of his works summarized including the concept of his contemporary performance in the social production and the phenomenology used to consciously experienced artworks. As the result, to understand oneself is by understanding contemporary people and the concept of the “consciously viewer” in Eliasson’s art projects.