| Summary: | 碩士 === 國立臺灣藝術大學 === 美術學系版畫藝術碩士班 === 101 === The author’s images are presented in single figure in each picture, using broken, shattered carved lines in varied boldness made with different speed, to depict various mental landscapes, such as wounds, mysteries, uncertainty, dishearten edness, frenzy, silence, and impact. The artist extracts her subjective imagination and projection towards her own body and turns these elements into form. Since the mental status is intangible, this thesis hence discusses the form from aspects of composition, colors, lines and space, to investigate the enlightenment of life that depicted in dramatic body images.
This thesis The Image of Body And The Emotion is comprised of six chapters:
Chapter 1 preface talks about the motivation, goals, methods of the study, and explanation for terms.
Chapter2 gives the theoretical ideas to compare Expressionism and Neo-Expressionism with the author’s approach, and demonstrates the concepts the author gained from the mentioned movements.
Chapter 3 states the artist’s concepts for art making from Image of Scars , The Expression of Hands and The Extensibility Ways of Cunfa .
Chapter 4 introduces the form, techniques and media the artist uses.
Chapter 5 analyses of work series, titled Image of Scars, Image of Landscape, and Life in Drifts..
Chapter 6 is conclusion.
|
|---|
