A Study of Indian Fashion Aesthetics

• Main Authors: Yang, Chiao-Ssu, 楊蕎思
• Other Authors: Han, Feng-Nien
• Format: Others
• Language: zh-TW
• Published: 2014
• Online Access: http://ndltd.ncl.edu.tw/handle/12481446454658315274

碩士 === 國立臺灣藝術大學 === 圖文傳播藝術學系碩士班 === 101 === India, a collection of ancient, conservative, such as poverty, backwardness and "fashion" runs counter to the name of the country, after the rise of BRICs, not only has become the world's major economies, on the soft power of culture, India clothing also in important global chic take corners. As the economy took off, India clothing retail market in 2012 years estimated was worth about 15 billion dollars, however, Taiwan India costume related understanding and research in the field has been neglected. This study aims at Deconstructing India dress forms, expressive, symbolic three fashion aesthetics-oriented, semiotic theory to analysis of India costume, and works in an international Boutique of Hermès and Chanel, for example, analysis India traditional clothing style aesthetic with Western culture for mainstream fashion. Study on the mining method of in-depth interviews, field visiting India interview three have a historical tradition, and are moving into the world of India fashion brands, so as to understand India application in fashion aesthetics, and design changes. Research results show that India aesthetics in traditional dress in the clothing show strong national style, India fashion semiotics application show the perfection of human imagination.