Research and Creative Art of“Oblivion and Documentary”

碩士 === 國立臺灣師範大學 === 美術學系 === 101 === The aim of this research is to explore the inner sense of fear from the lost of the memory. The artist uses his brushes to keep track of everything that he really pays close attention to, such as the dying goldfish, the fading plants, the withering flowers, and e...

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Main Authors: Chia-Jung Chang, 張家荣
Other Authors: Chin-Lung Huang
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/03560084266462742247
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spelling ndltd-TW-101NTNU52330662016-03-18T04:42:06Z http://ndltd.ncl.edu.tw/handle/03560084266462742247 Research and Creative Art of“Oblivion and Documentary” 「遺忘˙紀錄」之創作研究 Chia-Jung Chang 張家荣 碩士 國立臺灣師範大學 美術學系 101 The aim of this research is to explore the inner sense of fear from the lost of the memory. The artist uses his brushes to keep track of everything that he really pays close attention to, such as the dying goldfish, the fading plants, the withering flowers, and etc. Anything is fading around the artist. Through the process “Documentary”, the artist converts his creations into a “Trace.” The main structure of this research is divided into six chapters: Chapter One: The introduction of the research: motivation, purpose, content, method, and glossary. The artist likes to draw simple things that around him. As a result, “still life painting” is a common form in the artist’s creations. Chapter Two: The description of creative theoretical foundation, inspired from philosophy, art history, art trend, and etc. Analyzing and elaborating art works helped the artist to clear his inner thought. Chapter Three: The concepts of the creations. Explain the artistic concepts, and introduce the artist’s ideas further. The artist focused on the similarities and differences in the creative trend, and gave them a new point of view, which made the ideas more precise. Chapter Four: The form of creations. The method of usage, the artist got closer to his creations, and focused on two main factors: the relationship between drafts and finished art works and the concept of unfinished. Chapter Five: Analyzing art works. The artist presented his creations with images, combined different methods to create different works. The combination of the documentary: emotional, rational, conscious, unconscious, and etc, put down the events that had happened in the author’s life. And the author wants to provide some reference to the viewers. Chapter Six: Conclusion and Reflection. The artist shared his creating process, which not only gave him a new aspect of art, but also a new idea for him to face the future creation. Chin-Lung Huang 黃進龍 2013 學位論文 ; thesis 69 zh-TW
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description 碩士 === 國立臺灣師範大學 === 美術學系 === 101 === The aim of this research is to explore the inner sense of fear from the lost of the memory. The artist uses his brushes to keep track of everything that he really pays close attention to, such as the dying goldfish, the fading plants, the withering flowers, and etc. Anything is fading around the artist. Through the process “Documentary”, the artist converts his creations into a “Trace.” The main structure of this research is divided into six chapters: Chapter One: The introduction of the research: motivation, purpose, content, method, and glossary. The artist likes to draw simple things that around him. As a result, “still life painting” is a common form in the artist’s creations. Chapter Two: The description of creative theoretical foundation, inspired from philosophy, art history, art trend, and etc. Analyzing and elaborating art works helped the artist to clear his inner thought. Chapter Three: The concepts of the creations. Explain the artistic concepts, and introduce the artist’s ideas further. The artist focused on the similarities and differences in the creative trend, and gave them a new point of view, which made the ideas more precise. Chapter Four: The form of creations. The method of usage, the artist got closer to his creations, and focused on two main factors: the relationship between drafts and finished art works and the concept of unfinished. Chapter Five: Analyzing art works. The artist presented his creations with images, combined different methods to create different works. The combination of the documentary: emotional, rational, conscious, unconscious, and etc, put down the events that had happened in the author’s life. And the author wants to provide some reference to the viewers. Chapter Six: Conclusion and Reflection. The artist shared his creating process, which not only gave him a new aspect of art, but also a new idea for him to face the future creation.
author2 Chin-Lung Huang
author_facet Chin-Lung Huang
Chia-Jung Chang
張家荣
author Chia-Jung Chang
張家荣
spellingShingle Chia-Jung Chang
張家荣
Research and Creative Art of“Oblivion and Documentary”
author_sort Chia-Jung Chang
title Research and Creative Art of“Oblivion and Documentary”
title_short Research and Creative Art of“Oblivion and Documentary”
title_full Research and Creative Art of“Oblivion and Documentary”
title_fullStr Research and Creative Art of“Oblivion and Documentary”
title_full_unstemmed Research and Creative Art of“Oblivion and Documentary”
title_sort research and creative art of“oblivion and documentary”
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/03560084266462742247
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