“Decomposition of the Figure”－Special Research on the Reconstruction of the Form

• Main Authors: Chiang-Yueh-Hsien, 蔣岳賢
• Other Authors: 黃進龍
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/98p65k

碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 101 === Based on the fundamental beginning of painting, the paper seeks to probe the spiritual content, apart from seeing, through the figurative structuralism and iconology. In a work, figure is the primary object to be expressed along with the artist’s subjective psyche and with the series of composition and recomposition that directly evokes the viewer to picture a figure. Meanwhile, another perspective of expressing the subtle relationship and composition between the human gesture and the milieu has been used to present the realistic technique of painting, visual psychology and the symbolism of the icon. Then, after the limbs have been divided apart, they have to be uniquely arranged and recomposed in accordance with the existing spirit in order to restore the primary composing figures of the sketch, expressing the human sensitivity and further creating the traditional figures in the realistic work. The aim of the M.A. thesis attempts to create a new visual sensitivity of realistic painting by fusing surrealism and reconsider whether there is any new development thematically based on humans. Thus, decomposition is made to further read the human body and its composition, and re-composition is used to analyze the image and the background meaning underlying the contemporary women’s limbs in a painting. Finally, the mental image of the artist is added to verify the expression of a work.