| Summary: | 碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 101 === This is a journey of soliloquy, in which the quest for creation beliefs interweaved
by conceptions, readings and works is sought out by the subject noun of first person.
Within such a journey, it consists of numerous experiencing records, in relation to
follow-ups to the mindset of creation, understanding to the usage of medium materials,
as well as practices of ceramics, moreover, by way of imagery figure of speech with
drifting in the ocean, to present a learning journey where the dangers and setbacks are
here and there, along the way with searching, and eventually to come with full
clarification of thoughts; in a writing tone that is sometimes self-doubting, yet to
mingle with a retrospect to the past, and through such a style, the author is tempting to
put all kinds of introspect thoughts related to conception, materials and artworks over
the past three years, to work on first-hand writing with lyric narrative tone in part by
the approach of keypoint profile after creation. In the article, it documents a creation
learner with honesty of the process how one’s conception mindset is being twisted or
going through a transition due to one’s some real life experiences on one’s “family
background” or “the past”. For instance, from the onset of chapter two, there are a
lot of philosophical argumentations related to the aesthetics of creation as the core of
the paper, and ideas of which the author tries to use simple and easy phrases, plus an
attitude with anticipation for elucidation, to make an echo mutually, by putting the
esthetical agenda both complicated and enigmatic into the practice experiences where
one’s physical body is actually suffering with under strain , in the hope to somehow
complete the ultimate imagination in relation to “creation” through some kind of
hybrid grafting.
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