"Shoot first, draw the circle afterwards": Three Formality Problems in Hsia Yu's poetry

• Main Authors: Chen, Po-Ling, 陳柏伶
• Other Authors: Tsai, Ying-Chun
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/2wk7b7

博士 === 國立清華大學 === 中國文學系 === 101 === Abstract Unlike the common practice of thesis writing, this dissertation expresses my thought on Hsia Yu's poetry with the manner of self-indulging and self-destruction. It does not come with a literature review section and ground itself with theories. Even the conclusion is also very dubious. Under this kind of post-modern condition that everything is abandoned and not picked up again, I wholeheartedly investigate the poetic variation and revolution in Hsia Yu's poem and persistently write down the aesthetic blueprint and imagination in Hsia Yu's another poem. Thus, three unintended and self-enclosing pseudo-poetic terminologies appear: broken musicality, translatedness, and virtual onceness. I use these three pseudo-poetic terminologies to witness straightforwardly on the unceasing thinking about production institute of poetics behind Hsia Yu's astonishing form performance. Keywords: Hsia Yu, form, broken musicality, translatedness, virtual onceness