An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43

碩士 === 國立高雄師範大學 === 音樂學系 === 101 === The compositional writing in the twentieth-century was various, Neo-Classical that mainly represented by Igor Stranvinsky was one of the most important music styles. However, Francis Poulenc’s Trio for Piano, Oboe, and Bassoon, Op. 43 departs from the style of Ne...

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Main Authors:	Chi-Yin Lin, 林祈吟
Other Authors:	Akris Hung
Format:	Others
Language:	zh-TW
Published:	2013
Online Access:	http://ndltd.ncl.edu.tw/handle/36594211905705749576

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spelling	ndltd-TW-101NKNU52480122016-03-28T04:22:31Z http://ndltd.ncl.edu.tw/handle/36594211905705749576 An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43 浦朗克「給鋼琴、雙簧管和低音管的三重奏，作品四十三」之樂曲分析與演奏詮釋報告 Chi-Yin Lin 林祈吟碩士國立高雄師範大學音樂學系 101 The compositional writing in the twentieth-century was various, Neo-Classical that mainly represented by Igor Stranvinsky was one of the most important music styles. However, Francis Poulenc’s Trio for Piano, Oboe, and Bassoon, Op. 43 departs from the style of Neo-Classical. The use of harmonic language is innovative and colorful. Poulenc is especially talented for his lyricism and his gift for melody, so his music seems familiar yet fresh. It is the purpose of this dissertation to make a complete and thorough analysis from the details of texture, form, phrase, motive, and performance interpretation in the three movements of this trio. Akris Hung 洪小琴 2013 學位論文 ; thesis 71 zh-TW
collection	NDLTD
language	zh-TW
format	Others
sources	NDLTD
description	碩士 === 國立高雄師範大學 === 音樂學系 === 101 === The compositional writing in the twentieth-century was various, Neo-Classical that mainly represented by Igor Stranvinsky was one of the most important music styles. However, Francis Poulenc’s Trio for Piano, Oboe, and Bassoon, Op. 43 departs from the style of Neo-Classical. The use of harmonic language is innovative and colorful. Poulenc is especially talented for his lyricism and his gift for melody, so his music seems familiar yet fresh. It is the purpose of this dissertation to make a complete and thorough analysis from the details of texture, form, phrase, motive, and performance interpretation in the three movements of this trio.
author2	Akris Hung
author_facet	Akris Hung Chi-Yin Lin 林祈吟
author	Chi-Yin Lin 林祈吟
spellingShingle	Chi-Yin Lin 林祈吟 An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43
author_sort	Chi-Yin Lin
title	An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43
title_short	An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43
title_full	An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43
title_fullStr	An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43
title_full_unstemmed	An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43
title_sort	analysis and interpretation of poulenc's trio for piano, oboe and bassoon, op. 43
publishDate	2013
url	http://ndltd.ncl.edu.tw/handle/36594211905705749576
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An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43

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