An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94.
碩士 === 國立高雄師範大學 === 音樂學系 === 101 === Robert Schumann (1810-1856) was a sentimental and complex artist from the Romantico Era. Not only did he achieve extremely high accomplishment musically, he also acquired very special taste in literature. Other then his famous lieder and instrumental works, Sc...
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2013
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| Online Access: | http://ndltd.ncl.edu.tw/handle/368xy5 |
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ndltd-TW-101NKNU52480072019-05-15T20:53:17Z http://ndltd.ncl.edu.tw/handle/368xy5 An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. 舒曼《三首浪漫曲，作品編號九十四》的樂曲分析和演奏詮釋報告 Gang-An Li 李耿安 碩士 國立高雄師範大學 音樂學系 101 Robert Schumann (1810-1856) was a sentimental and complex artist from the Romantico Era. Not only did he achieve extremely high accomplishment musically, he also acquired very special taste in literature. Other then his famous lieder and instrumental works, Schumann’s piano works are a major part of his compositions. This research paper discusses Schumann’s Three Rmances for Oboe and Piano, Op. 94. It concentrates on Schumann’s compositional background, formal structure of the work, and the relationship between the piano and the oboe. It further explores Schumann’s unique personality, as well as how he applied his own musical language into particular composition. Akris Hung 洪小琴 2013 學位論文 ; thesis 68 zh-TW |
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zh-TW |
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碩士 === 國立高雄師範大學 === 音樂學系 === 101 === Robert Schumann (1810-1856) was a sentimental and complex artist from the Romantico Era. Not only did he achieve extremely high accomplishment musically, he also acquired very special taste in literature. Other then his famous lieder and instrumental works, Schumann’s piano works are a major part of his compositions.
This research paper discusses Schumann’s Three Rmances for Oboe and Piano, Op. 94. It concentrates on Schumann’s compositional background, formal structure of the work, and the relationship between the piano and the oboe. It further explores Schumann’s unique personality, as well as how he applied his own musical language into particular composition.
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| author2 |
Akris Hung |
| author_facet |
Akris Hung Gang-An Li 李耿安 |
| author |
Gang-An Li 李耿安 |
| spellingShingle |
Gang-An Li 李耿安 An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. |
| author_sort |
Gang-An Li |
| title |
An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. |
| title_short |
An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. |
| title_full |
An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. |
| title_fullStr |
An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. |
| title_full_unstemmed |
An analysis and interpretation of Robert Schumann’s Drei Romanzen für Oboe, op. 94. |
| title_sort |
analysis and interpretation of robert schumann’s drei romanzen für oboe, op. 94. |
| publishDate |
2013 |
| url |
http://ndltd.ncl.edu.tw/handle/368xy5 |
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