“Reproduction‧Metamorphosis”:The Artistic Production of Hsiu-pin Fan

• Main Authors: Hsiu-pin Fan, 范秀萍
• Other Authors: Pei-yung Chou
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/56967778031194798983

碩士 === 國立嘉義大學 === 視覺藝術研究所 === 101 === With the discourse on “Reproduction‧Metamorphosis”: The Artistic Production of Hsiu-pin Fan as subject, this thesis records the accompanied flowers, fruits, trees and grass during my personal growing stages, and develops many life stories and memories that I can recollect when I contemplate the plants. It describes the vigorous changes of natural vitality and brings a deeper understanding of life. Through the organic abstract paintings, Fan created the pictures of fruitful reproduction of nature. She used her imagination to shape biological forms of metamorphosis and build atmosphere of heterogeneous universe under microscope. The purposes of this artistic production are: 1. through investigating the relationship between nature, art, related aesthetics, and the organic abstract art, to construct the theoretical basis for the research; 2. through the exploration of the creative forms, techniques, and images of organic abstract art, to develop the creative concepts, and pictorial forms of the creative production; 3. through exploration of the growth cycles of plants and their symbolic meanings, to construct personal symbols and decorative patterns of the painting, and to conduct the interpretations of organic abstract creative painting of “Reproduction‧ Metamorphosis”; 4. through the reflection, and review of the research, to plan the further developmentsin the future. Regarding the methodology, following methods are adopted in this study: 1. theoretical analysis; 2. action research. The structure of the thesis as follows: the first chapter includes the purposes, methodology, steps, scope and limitations of the study; the second chapter invetigates related theories and artistic expressions; the third chapter explores the concepts, forms, and skills of the painting project; the fourth chapter deals with the interpretations of life stages and creative artworks series; the fifth chapter includes conclusions, reviews of process of creation, and future developments.