Constellation‧Multiple lines‧Assemblages： Aesthetic language of the avant-garde.net

• Main Authors: Lin,Hsin-I, 林欣怡
• Other Authors: Lai,Wen-Shu
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/3d3k8d

博士 === 國立交通大學 === 應用藝術研究所 === 101 === As a polymorphism, mashup, and heterogeneous flowing organic spread media, "net-version" has been a qualitative change, and evolved into a diffuse kinetic energy of the "assemblages", because of the continuing interaction with the other media. Its mode of action is not only the classical information movement, but also towards the outside, united in the plural including the kinetic energy between the various configurations. Accordingly, this study attempts to genealogically research such assemblages and re-extract the characters “Constellation” of the avant-garde net.art works. Furthermore, through the practice of philosophical criticism and analyzsis of net.art works, this research tries to link the concepts of "Data-Subjectivity" and "Objecthood.net", conducted to interpret information, material resources, and other aesthetics of Internet data, and re-extract the kinetic character of avant-garde net art., becoming the "multiple assemblages system" aesthetic discourse. Such a heterogeneous fusion of horizons is not only the deterritorialization of net-version’s characteristics, but also simultaneously deterritorialized and reterritorialized the concept of net-version. In other words, this research develops concept of "collective assemblages of net itself", mapping the net version's multiple characters, which is simultaneously point to the aesthetic concept of net version’s openness and convertibility.