| Summary: | 博士 === 國立交通大學 === 應用藝術研究所 === 101 === As a polymorphism, mashup, and heterogeneous flowing organic spread media,
"net-version" has been a qualitative change, and evolved into a diffuse kinetic energy
of the "assemblages", because of the continuing interaction with the other media. Its
mode of action is not only the classical information movement, but also towards the
outside, united in the plural including the kinetic energy between the various
configurations. Accordingly, this study attempts to genealogically research such
assemblages and re-extract the characters “Constellation” of the avant-garde net.art
works. Furthermore, through the practice of philosophical criticism and analyzsis of
net.art works, this research tries to link the concepts of "Data-Subjectivity" and
"Objecthood.net", conducted to interpret information, material resources, and other
aesthetics of Internet data, and re-extract the kinetic character of avant-garde net art.,
becoming the "multiple assemblages system" aesthetic discourse. Such a
heterogeneous fusion of horizons is not only the deterritorialization of net-version’s
characteristics, but also simultaneously deterritorialized and reterritorialized the
concept of net-version. In other words, this research develops concept of "collective
assemblages of net itself", mapping the net version's multiple characters, which is
simultaneously point to the aesthetic concept of net version’s openness and
convertibility.
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