The Paradoxical Genesis of Cai Guo-Qiang's Explosive Series of Art
碩士 === 國立交通大學 === 應用藝術研究所 === 101 === This research uses Deleuze's affection-image as a framework to analyze the essence of Cai Guo-Qiang's explosive series of art—"Project for Extraterrestrials". The definition of "essence of artwork" is in reference to Martin Heidegge...
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| Format: | Others |
| Language: | zh-TW |
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2013
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| Online Access: | http://ndltd.ncl.edu.tw/handle/37350677465789678747 |
| Summary: | 碩士 === 國立交通大學 === 應用藝術研究所 === 101 === This research uses Deleuze's affection-image as a framework to analyze the essence of Cai Guo-Qiang's explosive series of art—"Project for Extraterrestrials". The definition of "essence of artwork" is in reference to
Martin Heidegger's concept of art wesen(art essence). Deleuze's concept of affection-image is based on Bergson's discussions on topics of space and time. The research concludes that his explosive series embodies the concepts of "affection-image" by gunpowder, time and perceptions at different levels of "art essence". Therefore, the essence of "Project for Extraterrestrials" is the same as that of Heidegger's concept of art wesen. However, Cai’s artistic series and Heidegger’s concept of art wesen are rendered in two different expressive forms: art and philosophy.
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