TECTONICS -From Dimension To Crafsmanship

• Main Authors: Chen,Szu-Yin, 陳思因
• Other Authors: Tseng,David
• Format: Others
• Language: zh-TW
• Published: 2013
• Online Access: http://ndltd.ncl.edu.tw/handle/46841663958039281540

碩士 === 國立交通大學 === 建築研究所 === 101 === In the pursue of architecture, a signature form system might just be the ultimate goal of all. Every architect is seeking that if one is to cut a section on time, his/ her own form system can be shown along the stream of time. Section is not an unfamiliar concept in architecture. In this paper, the first project “Hypercube &; Its Shadows”demonstrates how we imagine three dimension world through information from two dimesion world. Nevertheless, our suspection can be inaccurate due to the lack of one dimension informaion. The second project ”Tidal Architecture”, raise the dimension to the forth dimension, time. It argues that the section of time is the promenade experience. How do architect demonstrate this experience? In the second chapter “Time &; Tectonics”, two projects “Cloud Prison”and “The Experiment of Bamboo &; Stone”show how tectonics solidifies time through different forms of joint. The various form of joints is due to different characteristics of materials. The last chapter “Tectonics &; Craftsmanship” demonstrates the relationship between tectonics and craftsmanship through project “Padang Padang Surf Lodge”. From modles to actual architecture, craftsmanship is the essence of bamboo tectonics. Craftsmanship is playing a critical role even in this advanced technology world. Our manipulation of material often exceeds simple three dimension movements. Construction often requires pull, ti, . Must of all, we have to consider steps of construction, and agility of man power really comes to use in it. The beauty of bamboo form comes from bamboo tectonics, which should give much credits to craftsmanship. From dimension to craftsmanship, from abstract concept of solidifying time to the actual construction, this paper hopes new ways to bamboo tectonics left a signature form in architecture.