Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji
碩士 === 國立中興大學 === 台灣文學與跨國文化研究所 === 101 === As Taiwan enters the age of democracy and globalization, people have also reached across the globe with the aid of the internet, and this has changed their reading habits and allowed them to read more genres of literarure. Under this trend, fantasy fiction...
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ndltd-TW-101NCHU56250052019-05-15T20:52:45Z http://ndltd.ncl.edu.tw/handle/ydf4rb Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji 奇幻文學的越界:《禁咒師》與《陰陽師》的孿生與變貌 Yun-Ying Lin 林雲鶯 碩士 國立中興大學 台灣文學與跨國文化研究所 101 As Taiwan enters the age of democracy and globalization, people have also reached across the globe with the aid of the internet, and this has changed their reading habits and allowed them to read more genres of literarure. Under this trend, fantasy fiction has become a popular genre, and due to globalization, similar images and plots often appear in different works, forming the phenomenon of boundary crossing. Intrigued by this, I intend to see whether such boundary crossing occurs in Taiwan as well by comparing Japanese writer Baku Yumemakura’s Onmyouji and Taiwan writer Hu Die’s Jin-Zhou Master series. Both works belong to the fantasy category, yet refer to contemporary social problems. The two series share similar situations where ghosts interact with humans. This thesis compares the two series in the following respects: 1. Has boundary crossing occurred in Taiwan’s fantasy fiction under the influence of globalization? 2. Have Taiwan’s writer developed new aspects in fantasy genre? 3. How do Taiwan’s writer make their works different from others? 陳國偉 2013 學位論文 ; thesis 142 zh-TW |
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碩士 === 國立中興大學 === 台灣文學與跨國文化研究所 === 101 === As Taiwan enters the age of democracy and globalization, people have also reached across the globe with the aid of the internet, and this has changed their reading habits and allowed them to read more genres of literarure. Under this trend, fantasy fiction has become a popular genre, and due to globalization, similar images and plots often appear in different works, forming the phenomenon of boundary crossing. Intrigued by this, I intend to see whether such boundary crossing occurs in Taiwan as well by comparing Japanese writer Baku Yumemakura’s Onmyouji and Taiwan writer Hu Die’s Jin-Zhou Master series. Both works belong to the fantasy category, yet refer to contemporary social problems. The two series share similar situations where ghosts interact with humans. This thesis compares the two series in the following respects: 1. Has boundary crossing occurred in Taiwan’s fantasy fiction under the influence of globalization? 2. Have Taiwan’s writer developed new aspects in fantasy genre? 3. How do Taiwan’s writer make their works different from others?
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author2 |
陳國偉 |
author_facet |
陳國偉 Yun-Ying Lin 林雲鶯 |
author |
Yun-Ying Lin 林雲鶯 |
spellingShingle |
Yun-Ying Lin 林雲鶯 Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji |
author_sort |
Yun-Ying Lin |
title |
Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji |
title_short |
Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji |
title_full |
Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji |
title_fullStr |
Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji |
title_full_unstemmed |
Crossing Boundaries of Fantasy Literature :The Doubling and Transformation between Jin-Zhou Master and Onmyouji |
title_sort |
crossing boundaries of fantasy literature :the doubling and transformation between jin-zhou master and onmyouji |
publishDate |
2013 |
url |
http://ndltd.ncl.edu.tw/handle/ydf4rb |
work_keys_str_mv |
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