| Summary: | 碩士 === 華梵大學 === 美術學系碩士班 === 101 === Abstract
The main idea of this discourse is focused on "self". It is by using one's portfolio to discuss that person's creative forms of painting. We will also discuss the related possibilities between self-creation and daily living. It is author's explanation and deliberation for art during 2010 and 2012. It is also author's creating process, and portfolio discussion. He is trying to practice self-creating by using related theories and cogitation researching.
To the author, painting is way for expressing emotions, responding daily life, and showing genuineness. It will make one's creating purpose refer to one's psychological exploration, it will also make that person try to convert anxieties into the source for creation by using repetitive (or mechanical) pressure releasing methods on canvases. The author is not only trying to use impulses from oneself but also analyzing aesthetics from a psychological perspective as the creating resources . He sees repetitive self-creating process as a cure and dependence for psyche. To him, painting is not an experience for producing outcome because he is more emphasized on process.
This discourse is about self-analyzing by using backtracking, perceiving, and viewing, it also used a way of aesthetic introspecting to arrange portfolio content. Trying to promote art can be possible and relative to daily life if we use continuous self-asking or self-exploring methods to convert personal behavior into a more creative performance. Exploring some social phenomena will be future goal for author.
Key words: Daily living, Repetition, Mechanization, Psychotherapy.
|
|---|
