The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84

The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84

碩士 === 輔仁大學 === 音樂研究所 === 101 === In 1809, Beethoven was commissioned to compose incidental music for Goethe’s play Egmont which is consisted of the most-performed overture followed by a sequence of nine additional pieces. Beethoven was bitterly disappointed by the reign of Napoleon, and therefor...

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Main Authors: Chiu, Shih Hsuan, 邱誓舷
Other Authors: 徐玫玲
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/y34z3h
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spelling ndltd-TW-101FJU002480372019-08-20T03:34:49Z http://ndltd.ncl.edu.tw/handle/y34z3h The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84 貝多芬《愛格蒙序曲》作品八十四之樂曲分析與指揮詮釋 Chiu, Shih Hsuan 邱誓舷 碩士 輔仁大學 音樂研究所 101 In 1809, Beethoven was commissioned to compose incidental music for Goethe’s play Egmont which is consisted of the most-performed overture followed by a sequence of nine additional pieces. Beethoven was bitterly disappointed by the reign of Napoleon, and therefore expressed his concerns over great heroism of the Count of Egmont, integrating whole play into the overture. The work was written in sonata form strongly manifesting the Romanticism technique. The objective of this research aims at the conducting interpretation of Egmont Overture based on from the biography and background of Beethoven, and Goethe’s original play to the further analysis of music form, reaching an understanding and embodying the better conducting interpretation. Keywords: Beethoven, Egmont Overture, Conducting interpretation 徐玫玲 2013 學位論文 ; thesis 81 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 輔仁大學 === 音樂研究所 === 101 === In 1809, Beethoven was commissioned to compose incidental music for Goethe’s play Egmont which is consisted of the most-performed overture followed by a sequence of nine additional pieces. Beethoven was bitterly disappointed by the reign of Napoleon, and therefore expressed his concerns over great heroism of the Count of Egmont, integrating whole play into the overture. The work was written in sonata form strongly manifesting the Romanticism technique. The objective of this research aims at the conducting interpretation of Egmont Overture based on from the biography and background of Beethoven, and Goethe’s original play to the further analysis of music form, reaching an understanding and embodying the better conducting interpretation. Keywords: Beethoven, Egmont Overture, Conducting interpretation
author2 徐玫玲
author_facet 徐玫玲
Chiu, Shih Hsuan
邱誓舷
author Chiu, Shih Hsuan
邱誓舷
spellingShingle Chiu, Shih Hsuan
邱誓舷
The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84
author_sort Chiu, Shih Hsuan
title The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84
title_short The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84
title_full The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84
title_fullStr The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84
title_full_unstemmed The Conducting and Interpretation of Ludwig van Beethoven’s Egmont Overture, Op. 84
title_sort conducting and interpretation of ludwig van beethoven’s egmont overture, op. 84
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/y34z3h
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