A Study of Selected Piano Works after 1960 by Taiwan Composers

博士 === 輔仁大學 === 音樂研究所 === 101 === This dissertation analyzes and discusses selected works for the piano by Taiwanese composers from 1960 to the present day. In 1960, after completing his studies in France, composer Hsu Tsang-Houei, who was later generally regarded as one of the highest music autho...

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Main Authors: Chung-Ying, Lan, 藍充盈
Other Authors: 李文彬
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/81695427289105509681
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spelling ndltd-TW-101FJU002480272015-10-13T22:07:21Z http://ndltd.ncl.edu.tw/handle/81695427289105509681 A Study of Selected Piano Works after 1960 by Taiwan Composers 1960年後臺灣作曲家的鋼琴作品選曲之探討與演奏詮釋 Chung-Ying, Lan 藍充盈 博士 輔仁大學 音樂研究所 101 This dissertation analyzes and discusses selected works for the piano by Taiwanese composers from 1960 to the present day. In 1960, after completing his studies in France, composer Hsu Tsang-Houei, who was later generally regarded as one of the highest music authorities in Taiwan, debuted a concert that brought the audience in Taiwan a groundbreaking approach which combined Western avant-garde music with elaborate traditional Chinese elements. His compositions also contained an innovative sound, impacting the audience immensely. The year 1960 was a turning point, dawning a new era of modern music in Taiwan. In addition, an overview of modern music in Taiwan outlines how piano music developed through the years. Moreover, a more personal interpretation of this collection of work that spans the ages will be presented. 李文彬 2013 學位論文 ; thesis 304 zh-TW
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language zh-TW
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description 博士 === 輔仁大學 === 音樂研究所 === 101 === This dissertation analyzes and discusses selected works for the piano by Taiwanese composers from 1960 to the present day. In 1960, after completing his studies in France, composer Hsu Tsang-Houei, who was later generally regarded as one of the highest music authorities in Taiwan, debuted a concert that brought the audience in Taiwan a groundbreaking approach which combined Western avant-garde music with elaborate traditional Chinese elements. His compositions also contained an innovative sound, impacting the audience immensely. The year 1960 was a turning point, dawning a new era of modern music in Taiwan. In addition, an overview of modern music in Taiwan outlines how piano music developed through the years. Moreover, a more personal interpretation of this collection of work that spans the ages will be presented.
author2 李文彬
author_facet 李文彬
Chung-Ying, Lan
藍充盈
author Chung-Ying, Lan
藍充盈
spellingShingle Chung-Ying, Lan
藍充盈
A Study of Selected Piano Works after 1960 by Taiwan Composers
author_sort Chung-Ying, Lan
title A Study of Selected Piano Works after 1960 by Taiwan Composers
title_short A Study of Selected Piano Works after 1960 by Taiwan Composers
title_full A Study of Selected Piano Works after 1960 by Taiwan Composers
title_fullStr A Study of Selected Piano Works after 1960 by Taiwan Composers
title_full_unstemmed A Study of Selected Piano Works after 1960 by Taiwan Composers
title_sort study of selected piano works after 1960 by taiwan composers
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/81695427289105509681
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