The Images of Female Characters Between Different Generations from 1930 to 2012

碩士 === 大葉大學 === 設計暨藝術學院碩士在職專班 === 101 === My thesis arise from the insight into my own life path, taking three different generations and the transition between roles as the theme. By displaying the different countenances of the elder, the middle age, and the youth, the transition of roles and va...

Full description

Bibliographic Details
Main Authors: HU,HUEI-JHU, 許惠珠
Other Authors: FAN,YAN-NUAN
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/08125610170569202247
id ndltd-TW-101DYU01317049
record_format oai_dc
spelling ndltd-TW-101DYU013170492015-10-13T22:12:37Z http://ndltd.ncl.edu.tw/handle/08125610170569202247 The Images of Female Characters Between Different Generations from 1930 to 2012 探索1930-2012 年間女性在世代交替中的角色圖像 HU,HUEI-JHU 許惠珠 碩士 大葉大學 設計暨藝術學院碩士在職專班 101 My thesis arise from the insight into my own life path, taking three different generations and the transition between roles as the theme. By displaying the different countenances of the elder, the middle age, and the youth, the transition of roles and value, I not only try to probe into the turning of the time wheels from 1930 to 2012 among the society in Taiwan, but also try to construct the internal spirit of life and the course of culture change between generations by analysis and creation. My study also seek the assistant from the masterpieces based on the “three generations” made by western masters, trying to make a glimpse into how the artists interpreted the key subject . The thesis is subdivided into six chapters. The first chapter contains the motivation, aim, the method and the scope of my study. The second chapter covers the discussion of documents and references, investigating and understanding the three masters: Jean Francois Millet, Edvard Munch, Frida Kahlo and their works about the “three generations”. The third chapter is based on scientific theories, trying to explore the uprising of feminism and the significance of motherhood. The fourth chapter talks about my creation concept, taking the stories of my mother, myself, and my daughter as a blueprint. The three major topic: appearance and role, spirit and intrinsic value, and the legacy and change are displayed by using different kinds of materials and in different fashions. The fifth chapter then makes a description of my pieces in a series based on the three major topics. The last chapter is the conclusion, illustrating the summary and reflections about the thesis and my works. FAN,YAN-NUAN 范晏暖 2013 學位論文 ; thesis 72 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 大葉大學 === 設計暨藝術學院碩士在職專班 === 101 === My thesis arise from the insight into my own life path, taking three different generations and the transition between roles as the theme. By displaying the different countenances of the elder, the middle age, and the youth, the transition of roles and value, I not only try to probe into the turning of the time wheels from 1930 to 2012 among the society in Taiwan, but also try to construct the internal spirit of life and the course of culture change between generations by analysis and creation. My study also seek the assistant from the masterpieces based on the “three generations” made by western masters, trying to make a glimpse into how the artists interpreted the key subject . The thesis is subdivided into six chapters. The first chapter contains the motivation, aim, the method and the scope of my study. The second chapter covers the discussion of documents and references, investigating and understanding the three masters: Jean Francois Millet, Edvard Munch, Frida Kahlo and their works about the “three generations”. The third chapter is based on scientific theories, trying to explore the uprising of feminism and the significance of motherhood. The fourth chapter talks about my creation concept, taking the stories of my mother, myself, and my daughter as a blueprint. The three major topic: appearance and role, spirit and intrinsic value, and the legacy and change are displayed by using different kinds of materials and in different fashions. The fifth chapter then makes a description of my pieces in a series based on the three major topics. The last chapter is the conclusion, illustrating the summary and reflections about the thesis and my works.
author2 FAN,YAN-NUAN
author_facet FAN,YAN-NUAN
HU,HUEI-JHU
許惠珠
author HU,HUEI-JHU
許惠珠
spellingShingle HU,HUEI-JHU
許惠珠
The Images of Female Characters Between Different Generations from 1930 to 2012
author_sort HU,HUEI-JHU
title The Images of Female Characters Between Different Generations from 1930 to 2012
title_short The Images of Female Characters Between Different Generations from 1930 to 2012
title_full The Images of Female Characters Between Different Generations from 1930 to 2012
title_fullStr The Images of Female Characters Between Different Generations from 1930 to 2012
title_full_unstemmed The Images of Female Characters Between Different Generations from 1930 to 2012
title_sort images of female characters between different generations from 1930 to 2012
publishDate 2013
url http://ndltd.ncl.edu.tw/handle/08125610170569202247
work_keys_str_mv AT huhueijhu theimagesoffemalecharactersbetweendifferentgenerationsfrom1930to2012
AT xǔhuìzhū theimagesoffemalecharactersbetweendifferentgenerationsfrom1930to2012
AT huhueijhu tànsuǒ19302012niánjiānnǚxìngzàishìdàijiāotìzhōngdejiǎosètúxiàng
AT xǔhuìzhū tànsuǒ19302012niánjiānnǚxìngzàishìdàijiāotìzhōngdejiǎosètúxiàng
AT huhueijhu imagesoffemalecharactersbetweendifferentgenerationsfrom1930to2012
AT xǔhuìzhū imagesoffemalecharactersbetweendifferentgenerationsfrom1930to2012
_version_ 1718074357133082624