Pseudo-microscopic: Fantasies of the observer in Digital era

碩士 === 國立臺北藝術大學 === 新媒體藝術學系碩士班 === 100 === Facing the numerous images and messages in digital era, whether it is documentary, real, or virtual, we had lose the ability to identify true and false. We are the observers whom are controlling these visual instruments, and we have been visual observed at...

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Main Authors: Hung-Ling Lai, 賴虹伶
Other Authors: 陶亞倫
Format: Others
Language:zh-TW
Published: 2012
Online Access:http://ndltd.ncl.edu.tw/handle/zeq74m
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spelling ndltd-TW-100TNUA58610212018-04-10T17:21:32Z http://ndltd.ncl.edu.tw/handle/zeq74m Pseudo-microscopic: Fantasies of the observer in Digital era 偽(擬)顯微—數位時代觀察者之幻見 Hung-Ling Lai 賴虹伶 碩士 國立臺北藝術大學 新媒體藝術學系碩士班 100 Facing the numerous images and messages in digital era, whether it is documentary, real, or virtual, we had lose the ability to identify true and false. We are the observers whom are controlling these visual instruments, and we have been visual observed at the same time. When there is nothing exited or we can’t see things, we doubt our own eyes even we saw something, because we have lost the sensibility for things. This thesis started with research background and motivation in the first chapter. The following chapter proceeded from the observer’s personal experiences to discuss the visual revolution brought by visual instruments, which is developed by the author as the background discourse between being seen and being narrated. The third chapter described the exhibition type and concepts of this image creation project. Then the fourth chapter is back to review the author herself about this whole creative process. The fifth chapter as an epilogue, the author wish to find the position of her own observation in digital era. 陶亞倫 2012 學位論文 ; thesis 39 zh-TW
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language zh-TW
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description 碩士 === 國立臺北藝術大學 === 新媒體藝術學系碩士班 === 100 === Facing the numerous images and messages in digital era, whether it is documentary, real, or virtual, we had lose the ability to identify true and false. We are the observers whom are controlling these visual instruments, and we have been visual observed at the same time. When there is nothing exited or we can’t see things, we doubt our own eyes even we saw something, because we have lost the sensibility for things. This thesis started with research background and motivation in the first chapter. The following chapter proceeded from the observer’s personal experiences to discuss the visual revolution brought by visual instruments, which is developed by the author as the background discourse between being seen and being narrated. The third chapter described the exhibition type and concepts of this image creation project. Then the fourth chapter is back to review the author herself about this whole creative process. The fifth chapter as an epilogue, the author wish to find the position of her own observation in digital era.
author2 陶亞倫
author_facet 陶亞倫
Hung-Ling Lai
賴虹伶
author Hung-Ling Lai
賴虹伶
spellingShingle Hung-Ling Lai
賴虹伶
Pseudo-microscopic: Fantasies of the observer in Digital era
author_sort Hung-Ling Lai
title Pseudo-microscopic: Fantasies of the observer in Digital era
title_short Pseudo-microscopic: Fantasies of the observer in Digital era
title_full Pseudo-microscopic: Fantasies of the observer in Digital era
title_fullStr Pseudo-microscopic: Fantasies of the observer in Digital era
title_full_unstemmed Pseudo-microscopic: Fantasies of the observer in Digital era
title_sort pseudo-microscopic: fantasies of the observer in digital era
publishDate 2012
url http://ndltd.ncl.edu.tw/handle/zeq74m
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