Deep,Silent Thought

• Main Authors: Hui-Yu Tsui, 崔惠宇
• Other Authors: 蔡懷國
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/gsf4gm

碩士 === 國立臺北藝術大學 === 美術學系美術創作碩士班 === 100 === The discussion of this dissertation focuses on the creative process experienced during a confrontation between the self- and sub-consciousnesses. And, in the disorderly condition between life and art creation, the author projects a hidden consciousness to ponder and analyze through the appearance of works formed in the scope of things of the real world. This paper is divided into discussion of four topics: Section 1 “Deep, Silent Thought,” discusses how the author cross corresponds the various professional perspectives of science, philosophy, occult, and art to produce inner thoughts and shape her creative context.And, with her own spiritual attitude surrounding an inherent self-reflection and perception, she explains how she gave form to the entire thought through her works. Section 2 “Tranquilizing Mental Confusion,” is the author’s presentation of the supposed real world in which she exists and the existing world that is made aware by her inner thoughts in visual works. With inertia that seemingly comes from reading poetry, the content of the painting backtracks to explore the relationship towards the universe with her mind in conscious and unconscious states, as well as searches for the connection between abstract thoughts and the materialization of works. In Section 3 “Space-Time Turbulence That Won’t Be Still,” the author believes that all people observe the world through the lens of their selves, and use special mental modes for perception. And, in an original attempt to combat a mental state of anxiety, the author launches a “sustained exercise” mode of existence and, thus, her mind establishes the context for the work’s main axis. The present moment (that is, anywhere, anytime) is the necessary factor for the behaviors behind this work. Section 4 “The Residence of Awareness,” corresponds to the work’s representation and its return back to the original psychological level, looking back to incidents that have occurred and everything that has been created so far. In the relationship between operating the whole “self” and being operated, the work and life are unable to be stuck together or cut apart when the consciousness is unable to completely intervene. This continuous loop and out-of-focus quality deal with how reality is no longer a realistic dream, nor a dream. In the end, in a game where the rules cannot be chosen, entire feelings that have a strong and fierce momentum are emptied out.