The Changes in Bunun Music：A Case Study at Jianshan Village in Kaohsiung City from 1950 to 2011

• Main Authors: YU, MING-CHUN, 余明純
• Other Authors: 陳俊斌
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/40545326097022052862

碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 100 === Bunun culture has experienced Japanese colonial rule,the ROC Government localization policy, as well as Western religious incoming, the traditional social structure gradually disintegrate; the case of the transformation of traditional social structures, the musical culture of the Bunun tribe along with the political, economic and religious beliefs arising from changes in a different aspect.This research will study the evolution and transformation of Bunun music in Jianshan Village Kaohsiung,since the end of occupation to the ROC Government came to Taiwan. This article will focus on two phases of the era of political, economic turmoil since the modernization of social change in the process of evolution and practice of Jianshan Bunun music from 1950 to the 1980 and from 1980 to 2011. We are going to discuss the transition and impact of Jianshan Bunun music culture from the aspects of the incoming of Christianity in 1950, and the formation of aboriginal cultural Task Force and the forest worker song. Since 1980 because of the rise of the movement of aboriginal groups in the case of aboriginal ethnic identity consciousness starting to focus on the traditional cultural heritage, so to promote traditional music and dance performances, local education policy implementation, this phase will discuss from the impact of Jianshan Village music evolution and development of these cultural changes to the Community tourist-oriented performances and promotion of local education.