The interfaced time

碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 100 ===   The core of this thesis focus on the aspects of light, image, past, and photographical corporal experiences. For me, the process of transforming image to surface is a displacement of time. This is because the time embodies by the images is translated into ti...

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Main Authors: Yang, Tzu-chin, 楊紫芹
Other Authors: 顧世勇
Format: Others
Language:zh-TW
Published: 2012
Online Access:http://ndltd.ncl.edu.tw/handle/03276979827176666057
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spelling ndltd-TW-100TNCA55800112017-05-05T04:26:46Z http://ndltd.ncl.edu.tw/handle/03276979827176666057 The interfaced time 介面化的時間 Yang, Tzu-chin 楊紫芹 碩士 國立臺南藝術大學 造形藝術研究所 100   The core of this thesis focus on the aspects of light, image, past, and photographical corporal experiences. For me, the process of transforming image to surface is a displacement of time. This is because the time embodies by the images is translated into timeframe of painting (image comprises time and can’t be detach from time); which make the process of painting a state of psychological time.   My art have development from my personal memories and feelings to the attention of media and image. During this period, I have been assessing thepossibilities of fusing media with painting. This has made me to: experiment painting with media composition, evaluate media’s impact on daily life, and reexamine theconnection between life and art. My art incorporate with magnify glass’s investigation, interactive elements and corporal experience, which altered the flatness of my art into a new standard of time. How does technology influence my life and art practice? As the employment of body to experience and receive the stimulations of contemporary media while react accordingly may be a beautiful battle with no chance of winning. 顧世勇 2012 學位論文 ; thesis 80 zh-TW
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language zh-TW
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description 碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 100 ===   The core of this thesis focus on the aspects of light, image, past, and photographical corporal experiences. For me, the process of transforming image to surface is a displacement of time. This is because the time embodies by the images is translated into timeframe of painting (image comprises time and can’t be detach from time); which make the process of painting a state of psychological time.   My art have development from my personal memories and feelings to the attention of media and image. During this period, I have been assessing thepossibilities of fusing media with painting. This has made me to: experiment painting with media composition, evaluate media’s impact on daily life, and reexamine theconnection between life and art. My art incorporate with magnify glass’s investigation, interactive elements and corporal experience, which altered the flatness of my art into a new standard of time. How does technology influence my life and art practice? As the employment of body to experience and receive the stimulations of contemporary media while react accordingly may be a beautiful battle with no chance of winning.
author2 顧世勇
author_facet 顧世勇
Yang, Tzu-chin
楊紫芹
author Yang, Tzu-chin
楊紫芹
spellingShingle Yang, Tzu-chin
楊紫芹
The interfaced time
author_sort Yang, Tzu-chin
title The interfaced time
title_short The interfaced time
title_full The interfaced time
title_fullStr The interfaced time
title_full_unstemmed The interfaced time
title_sort interfaced time
publishDate 2012
url http://ndltd.ncl.edu.tw/handle/03276979827176666057
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