| Summary: | 碩士 === 東吳大學 === 音樂學系 === 101 === Chiang Wen-yeh also lived through the era of change and culture shock from 1934 to 1937, he won prizes all four years at the Japan National Music Competitions. His extreme talent took the compositional world in Japan by storm. And he went to China to take up the position of department head at the Beiping Teacher's Institute in 1938. As Chiang Wen-yeh abundant life , he created a unique and complex style of music, his music inspired by many people, but also achievements in his unique style of music, this is the author explores the objectives of the study.
The work, "Bagatelle", written in 1935-1936, the music style, collection of Chinese and Japanese, you can see Chiang Wen-yeh also began to pursue the Chinese style, discover harmony, polyphony, Musical form, ethnic characteristics of orchestration, and tried to imitate the sound of instruments of China, such as the erhu, pipa, dizi, also deeply civilian population by the Chinese buildings and the impact of lifestyle, trying to express his feelings of touch by music.
In this thesis, first the author introduces the life and musical styles of Chiang Wen-yeh, integration of their creative style specialty; in Chapter Three, introducing background of "Bagatelle" ; finally for structure and tonality for music analysis of "Bagatelle".
Program
J.S. Bach Partita No. 6 in E minor, BWV 830
Olivier Messiaen Preludes No.8 〈Un reflet dans le vent〉
Ludwig van Beethoven Piano Sonata Op.109
Robert Alexander Schumann Piano Works Op.8〈Allegro〉
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