The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance
碩士 === 實踐大學 === 產品與建築設計研究所碩士在職專班 === 100 === When being alone with oneself, looking at the infinite extension of time and space all around, an unbearable sense of loneliness arises. Why is there pain? Why is there fear? I often feel that the sounds swirling on the edges of thought are distant but...
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2012
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Online Access: | http://ndltd.ncl.edu.tw/handle/42811170895654521724 |
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碩士 === 實踐大學 === 產品與建築設計研究所碩士在職專班 === 100 === When being alone with oneself, looking at the infinite extension of time and space all around, an unbearable sense of loneliness arises. Why is there pain? Why is there fear? I often feel that the sounds swirling on the edges of thought are distant but clear, but I still know nothing. Due to the rapid changes in current society, the destruction of living environments and nature, as well as the deterioration of spirituality, I feel anxiety and fear in myself and alienation with the surrounding space. How should modern people, who lack mental ease, seek where they ultimately belong?
This creative work focuses on spiritual dialogue in the design creation of life simulation roles and stories. Unlike typical creations that express emotions, the work seeks to capture the prototypical images deep in the subconscious as the creative appeal. The author’s external observations and understanding of internal attitudes in the living environment are used to combine the creative process with insight from literature, which is then converted to metaphors and symbols for communication. Spiritual stories and internal mythology require creative work to give form to the content in the spiritual world, which cannot otherwise be described, to become understandable symbols and stories. Conversely, the role must have a story to show its own value. I use myself as a wanderer in life as the symbol to ponder and pursue the answer of freedom. This implicates a transcendence and growth image that guides to the self, with wilderness and freedom as the creative context, which appeals to the artistic creation of roles and animation and demonstrates a personal style of image symbols and visual effects.
In creativity, the individualizing process from Jungian psychology is the main focus, molding the author’s cosmology based on Buddhism and mythology, in order to use the postures that should exist in life’s situations as the beginning of creative thought. The three main points of the creative meaning are as follows. First is to understand and learn to transcend a solid and false self and not be obstructed by the five senses and superficial meaning; to view the nature of one’s own life to become familiar with a detailed and intricate micro view of the universe and the great world; to understand the illusions and inconstancy of all objects and events as they come in and out of existence, in order to consider oneself in the balance of the universe; and to achieve the ultimate freedom of the internal spirit. Second, life has a tendency for self-development and completion; it is an autonomous and dynamic conversion process that concretely acts through self-perception and the call of bitterness. Regardless of the redemption of sin and cause, or being tested in the wilderness, the purpose is to carry out spiritual reform by integrating opposing facets, to learn the wisdom of self-conditioning and the goodness of all merciful objects in order to approach individual completeness and connections in the whole universe. Third is to understand that all things are together, exist relatively, and are mutually reliant; to learn the wisdom of the medium way to achieve balance and harmony of opposing facets, regardless of emptiness or existence, absence or presence, to transcend all dualist viewpoints, avoid being focused on any biased side and grasp the real view of ultimate purity for all things, thus achieving completeness and freedom of life.
This is a story that belongs to my life, and it is my symbol. We exist in a world with collective mental sensitivity, and we have common experiences on this spiritual basis. Thus, creation is used to speak of the sincere expressions deep in the soul, in the hopes of engaging in a deeper dialogue and communication with the reader as part of the deepening and spiritual expression of creative brainstorming, and of causing resonances in humanitarian concern.
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author2 |
Kuan, Cheng-Neng |
author_facet |
Kuan, Cheng-Neng Chung, Pei-Yuan 欉培元 |
author |
Chung, Pei-Yuan 欉培元 |
spellingShingle |
Chung, Pei-Yuan 欉培元 The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance |
author_sort |
Chung, Pei-Yuan |
title |
The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance |
title_short |
The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance |
title_full |
The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance |
title_fullStr |
The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance |
title_full_unstemmed |
The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance |
title_sort |
design and creation of roles in a story-- life situation and its simulation performance |
publishDate |
2012 |
url |
http://ndltd.ncl.edu.tw/handle/42811170895654521724 |
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ndltd-TW-100SCC018050022015-10-13T21:07:18Z http://ndltd.ncl.edu.tw/handle/42811170895654521724 The Design and Creation of Roles in a Story-- Life Situation and its Simulation Performance 故事角色之設計創作 --生命情境及其擬像表現 Chung, Pei-Yuan 欉培元 碩士 實踐大學 產品與建築設計研究所碩士在職專班 100 When being alone with oneself, looking at the infinite extension of time and space all around, an unbearable sense of loneliness arises. Why is there pain? Why is there fear? I often feel that the sounds swirling on the edges of thought are distant but clear, but I still know nothing. Due to the rapid changes in current society, the destruction of living environments and nature, as well as the deterioration of spirituality, I feel anxiety and fear in myself and alienation with the surrounding space. How should modern people, who lack mental ease, seek where they ultimately belong? This creative work focuses on spiritual dialogue in the design creation of life simulation roles and stories. Unlike typical creations that express emotions, the work seeks to capture the prototypical images deep in the subconscious as the creative appeal. The author’s external observations and understanding of internal attitudes in the living environment are used to combine the creative process with insight from literature, which is then converted to metaphors and symbols for communication. Spiritual stories and internal mythology require creative work to give form to the content in the spiritual world, which cannot otherwise be described, to become understandable symbols and stories. Conversely, the role must have a story to show its own value. I use myself as a wanderer in life as the symbol to ponder and pursue the answer of freedom. This implicates a transcendence and growth image that guides to the self, with wilderness and freedom as the creative context, which appeals to the artistic creation of roles and animation and demonstrates a personal style of image symbols and visual effects. In creativity, the individualizing process from Jungian psychology is the main focus, molding the author’s cosmology based on Buddhism and mythology, in order to use the postures that should exist in life’s situations as the beginning of creative thought. The three main points of the creative meaning are as follows. First is to understand and learn to transcend a solid and false self and not be obstructed by the five senses and superficial meaning; to view the nature of one’s own life to become familiar with a detailed and intricate micro view of the universe and the great world; to understand the illusions and inconstancy of all objects and events as they come in and out of existence, in order to consider oneself in the balance of the universe; and to achieve the ultimate freedom of the internal spirit. Second, life has a tendency for self-development and completion; it is an autonomous and dynamic conversion process that concretely acts through self-perception and the call of bitterness. Regardless of the redemption of sin and cause, or being tested in the wilderness, the purpose is to carry out spiritual reform by integrating opposing facets, to learn the wisdom of self-conditioning and the goodness of all merciful objects in order to approach individual completeness and connections in the whole universe. Third is to understand that all things are together, exist relatively, and are mutually reliant; to learn the wisdom of the medium way to achieve balance and harmony of opposing facets, regardless of emptiness or existence, absence or presence, to transcend all dualist viewpoints, avoid being focused on any biased side and grasp the real view of ultimate purity for all things, thus achieving completeness and freedom of life. This is a story that belongs to my life, and it is my symbol. We exist in a world with collective mental sensitivity, and we have common experiences on this spiritual basis. Thus, creation is used to speak of the sincere expressions deep in the soul, in the hopes of engaging in a deeper dialogue and communication with the reader as part of the deepening and spiritual expression of creative brainstorming, and of causing resonances in humanitarian concern. Kuan, Cheng-Neng 官政能 2012 學位論文 ; thesis 180 zh-TW |