The Creation And Reasearch Of “Postmodernism Cyborg” On Mixed Media Graffiti Art.

• Main Authors: Tseng, Shih Hao, 曾士豪
• Other Authors: Sung, His te
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/39ma84

碩士 === 國立臺灣藝術大學 === 視覺傳達設計學系碩士班 === 100 === The foundation of this research is based on the correspondence between Graffiti Art and Visual Design. Through the discussion of Graffiti Art, various media effects are analyzed and experimented. The issue of “Human Beings Relying on Technology ” is merged with the visual presentation of Cyborg, It’s means the life of the human mixed machine, also a symbol of science and technology dependency of today's society. The creation of research using “Cyborg”to create a series of visual art works based on Graffiti Art. The content of this dissertation is divided into 4 chapters, including: (1) Introduction (2) Discussion of literature (3) Concept of creation (4) Conclusion. First of all, the form of Graffiti Art is identified to clarify the target of this research. The history and the development of Graffiti Art are discussed chronically to integrate with the history of Art. Then the presenting style and the image structures are analyzed, followed by the experiment of media to establish the visual form of the artwork creation. Graffiti Art has evolved to an art form that has commercial profit from painting on the streets that has an image of self-venting and authority dividing. The contents and issues of Graffiti Art has expanded and moved within time and space as well as the way of presenting, it’s not simply pictures and texts painted on the wall anymore The concept of the creation “Cyborg” is to represent the social phenomenon of dependence between human beings and technology in today’s world. The art works are based upon Graffiti Art using asphalt as a material along with metals, spray paints, and electronic product components to materialize the concept. The results are a series of half 3 dimensional works are presented. Through the metaphorical body gestures, the viewers can travel between the flat and the depth, the solid and the mirage. Besides, the interaction between the viewers and the works can be achieved through symbols and the images presented.