The work and role interpretations on Pas de Deux exhibition of "time-space intersection"

• Main Authors: Hung Sheng Hua, 洪盛華
• Other Authors: Wu su fen
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/93884855717042221756

碩士 === 國立臺灣藝術大學 === 舞蹈學系 === 100 === Abstract The writer appreciates dance deeply since he has been doing dance works for years when he was little. The dance world of him began with basic elements of knowledge includes running, jumping, following, catching and touching; the embodiment introduced him to the actual training section and gradually led him into a level of professional dance world. ‘The intersection of space-time’ duet performance of Hung, Sheng-Hua‧Lu, Min-Chun, is an achievement for the writer in his master degree process that expected to be maturer and more various developed in dance. It also filled a lot of precious experiences into his life from dance. In the preparation process of the performance, the writer had been facing a lot of complicated problems and difficulties; busy of rehearsing, he has progressed and overcame with all the pressure and challenges, as well as starting to learn the mature way to treat people and things. Although the process was not easy, the grateful obtainment was the supports and acknowledgments from people around him. Through the whole process of the performance organisation, Chinese folk dance is the main idea, consequently, they invited Tsai, Li-Hua, the promoter of Taipei Folk Dance Theatre; Wong, Kuang-Sheng, senior professor of National Taiwan University of Art; Hsiao, Chun-Ling, the prima dancer of Taipei Folk Dance Theatre; and Chang, Ting-Ting, dancer who travelled around the U.S with a PHD of performing art dance. ‘Riding white horse’, choreographed by teacher Tsai, Li-Hua, it mixed the classic traditional opera and the idea of contemporary dance. Within significant differences, she has not only combined these two main choreograph elements smoothly, also saved the amount of drama part without a major affection; which challenged the writer hardly but adorable enough to take it from it. The writer has gained a significant amount of supports and assistances from teachers in the process of performance; also got much confidence for his dance career. Supports and acknowledgments from parents, always gentle and warm, encourage the writer gets up and keep going forwards when breaks down. Since he was little, they have been being the biggest supporters and energy, no matter how hard it would be, the resolution of faith from him led the whole event ended up perfectly. Key words: space-time, Chinese folk dance, character embodiment, Riding horse