Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing

碩士 === 國立臺灣大學 === 電機工程學研究所 === 100 === The science of sound simulation, or auralisation, has been developing fondly for decades; however, little effort has been made to utilize such techniques in the art and creative industries. Theoretically, many sound related creative workflows may benefit immens...

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Main Authors: Sheng-Wen Lo, 羅晟文
Other Authors: Shyh-Kang Jeng
Format: Others
Language:en_US
Published: 2012
Online Access:http://ndltd.ncl.edu.tw/handle/12824765982519572472
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spelling ndltd-TW-100NTU054420382015-10-13T21:50:16Z http://ndltd.ncl.edu.tw/handle/12824765982519572472 Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing 水下聲源於玻璃缸中之聲學模擬與其在動畫配音之應用 Sheng-Wen Lo 羅晟文 碩士 國立臺灣大學 電機工程學研究所 100 The science of sound simulation, or auralisation, has been developing fondly for decades; however, little effort has been made to utilize such techniques in the art and creative industries. Theoretically, many sound related creative workflows may benefit immensely from the technologies of auralisation. This thesis focuses on applying such technologies in the field of sound designing of animations. Two methods, namely the exponential sinesweep method and the finite element method, have been implemented on a specific scenario – a sound source placed in a water-filled glass container, heard by the listener at the outside. It can be shown and demonstrated by this thesis that although these modern techniques are not without limitations, they have great potentials to broaden the horizon of sound designing or other sound related art and creative fields. Shyh-Kang Jeng 鄭士康 2012 學位論文 ; thesis 47 en_US
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language en_US
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description 碩士 === 國立臺灣大學 === 電機工程學研究所 === 100 === The science of sound simulation, or auralisation, has been developing fondly for decades; however, little effort has been made to utilize such techniques in the art and creative industries. Theoretically, many sound related creative workflows may benefit immensely from the technologies of auralisation. This thesis focuses on applying such technologies in the field of sound designing of animations. Two methods, namely the exponential sinesweep method and the finite element method, have been implemented on a specific scenario – a sound source placed in a water-filled glass container, heard by the listener at the outside. It can be shown and demonstrated by this thesis that although these modern techniques are not without limitations, they have great potentials to broaden the horizon of sound designing or other sound related art and creative fields.
author2 Shyh-Kang Jeng
author_facet Shyh-Kang Jeng
Sheng-Wen Lo
羅晟文
author Sheng-Wen Lo
羅晟文
spellingShingle Sheng-Wen Lo
羅晟文
Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
author_sort Sheng-Wen Lo
title Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
title_short Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
title_full Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
title_fullStr Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
title_full_unstemmed Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
title_sort auralisation of under water sound sources in glass containers with applications in animation sound designing
publishDate 2012
url http://ndltd.ncl.edu.tw/handle/12824765982519572472
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