Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing
碩士 === 國立臺灣大學 === 電機工程學研究所 === 100 === The science of sound simulation, or auralisation, has been developing fondly for decades; however, little effort has been made to utilize such techniques in the art and creative industries. Theoretically, many sound related creative workflows may benefit immens...
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ndltd-TW-100NTU054420382015-10-13T21:50:16Z http://ndltd.ncl.edu.tw/handle/12824765982519572472 Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing 水下聲源於玻璃缸中之聲學模擬與其在動畫配音之應用 Sheng-Wen Lo 羅晟文 碩士 國立臺灣大學 電機工程學研究所 100 The science of sound simulation, or auralisation, has been developing fondly for decades; however, little effort has been made to utilize such techniques in the art and creative industries. Theoretically, many sound related creative workflows may benefit immensely from the technologies of auralisation. This thesis focuses on applying such technologies in the field of sound designing of animations. Two methods, namely the exponential sinesweep method and the finite element method, have been implemented on a specific scenario – a sound source placed in a water-filled glass container, heard by the listener at the outside. It can be shown and demonstrated by this thesis that although these modern techniques are not without limitations, they have great potentials to broaden the horizon of sound designing or other sound related art and creative fields. Shyh-Kang Jeng 鄭士康 2012 學位論文 ; thesis 47 en_US |
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碩士 === 國立臺灣大學 === 電機工程學研究所 === 100 === The science of sound simulation, or auralisation, has been developing fondly for decades; however, little effort has been made to utilize such techniques in the art and creative industries. Theoretically, many sound related creative workflows may benefit immensely from the technologies of auralisation. This thesis focuses on applying such technologies in the field of sound designing of animations. Two methods, namely the exponential sinesweep method and the finite element method, have been implemented on a specific scenario – a sound source placed in a water-filled glass container, heard by the listener at the outside. It can be shown and demonstrated by this thesis that although these modern techniques are not without limitations, they have great potentials to broaden the horizon of sound designing or other sound related art and creative fields.
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author2 |
Shyh-Kang Jeng |
author_facet |
Shyh-Kang Jeng Sheng-Wen Lo 羅晟文 |
author |
Sheng-Wen Lo 羅晟文 |
spellingShingle |
Sheng-Wen Lo 羅晟文 Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing |
author_sort |
Sheng-Wen Lo |
title |
Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing |
title_short |
Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing |
title_full |
Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing |
title_fullStr |
Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing |
title_full_unstemmed |
Auralisation of Under Water Sound Sources in Glass Containers with Applications in Animation Sound Designing |
title_sort |
auralisation of under water sound sources in glass containers with applications in animation sound designing |
publishDate |
2012 |
url |
http://ndltd.ncl.edu.tw/handle/12824765982519572472 |
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