The Musicality of The Modern Concrete Poetry

• Main Authors: Chiang Yi Cheng, 江依錚
• Other Authors: Jou Ching-Hua
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/5t3f99

碩士 === 國立臺東大學 === 語文教育研究所 === 100 === The aim of this study is to investigate the musicality of the concrete poetry in the modern poems, including the image which is composed of letters and symbols representing the meaning, and rhythm, melody, and whole musicality its covers. This study gets rid of previous researches which explore the image characteristic of the concrete poetry but rather finding the other diverse way to link emotion and the content of ups and downs in the concrete poetry. Regarding the studies of the concrete poetry, scholars mostly discuss the characterization of the concrete poetry and the image researches, but they mention less about the musicality for words. Since there is temporal characteristics in the structure of poems, this study firstly analyzes the image technique of the modern concrete poetry. It then examines words permutations and combinations to find out its rhythm and melody. Finally, it will identify the integrated music aesthetics by exploring the rhythm and melody. This study, specifically, concludes the three types of music, which are symphony, lyric, music, and popular music, through the concrete concept style, the create concept style, and language games to classify the writing skills of the concrete poetry. It then examines the integrated music aesthetics its contains such as graceful, sublime, tragic, funny, grotesque, parody, and collage. It further promotes the musicality of the concrete poetry to teaching applications on reading, writing, and dissemination poetry.