The Analysis and the Interpretation of Poème de l'amour et de la mer, op. 19 by Ernest Chausson

• Main Authors: Lin Fang Yu, 林芳伃
• Other Authors: Li Yen I
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/07354187853439482941

碩士 === 國立臺灣師範大學 === 表演藝術研究所 === 100 === This report discusses Poème de l'amour et de la mer, a song cycle composed in the late 19th century by Chausson, a French composer. He composed it between 1882 and 1892, and his friend, Maurice Bouchor, wrote its poems which describe the beginning and the end of a love. It is one of the most complex and grandest mélodie by Chausson, and has orchestral and piano versions. It is not only characterized by the delicacy and poem-meaning-focused aura of the mélodies, but also enriched by various musical styles and delicate composition techniques of Chausson. For mélodies, therefore, it is a rare good piece. This report consists of five chapters. First chapter introduces the research motive, method and infrastructure of this report. Second chapter discusses the romance, the original type of the mélodies, and shows their development history. Chapter three explores his life and style and explains several features of his work basing on mélodies’ meaning. Chapter four introduces the composition background of this song, analyzes poems and music itself individually, and gives an angle of interpretation by combining references and the author’s thoughts of her performances. Fifth chapter is a conclusion, concluding the main points of this report and emphasizing the historic value of this song, and provides a way to know this song for those who are interested.