An Analysis and Interpretation of Bach's Cantata BWV82a "Ich habe genug"

碩士 === 國立臺灣師範大學 === 音樂學系 === 100 === BWV82a, Ich habe genug was an solo cantata of J. S. Bach, the German composer in Baroque Period. This Cantata was first performed as bass version for The feast for The Purification in1727. Afterward, Bach had recomposed it to soprano version for the same festival...

Full description

Bibliographic Details
Main Authors: Bi-Ru Li, 李璧如
Other Authors: Irene Yang
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/29030393302091239143
Description
Summary:碩士 === 國立臺灣師範大學 === 音樂學系 === 100 === BWV82a, Ich habe genug was an solo cantata of J. S. Bach, the German composer in Baroque Period. This Cantata was first performed as bass version for The feast for The Purification in1727. Afterward, Bach had recomposed it to soprano version for the same festival, 1731. What is deserved to be mentioned that Bach had yet recomposed this cantata for three more times, which is unusual in his composition. This thesis is going to discuss the soprano version of the cantata, which Bash composed in1731. The Thesis has five chapters, the first chapter introduces the author’s motivation and research background. The second chapter discusses Bach’s background from aspects of history and culture in Baroque Period. In the third chapter will have a more complete review on Bach’s cantatas’ characteristics and material of different period, and this is an intersection comparison of cantata’s history, Baroque cantata and German cantata. Final chapter as chapter four, the author will go further into < Ich habe genug >’s motivation and background, and analyze the topic and structure of its five songs. Finally the conclusion is met in the fifth chapter. The author expect the thesis could provide a new interpretation method for composers and singers in the future, and further have certain contribution on research of Bach’s cantata.