A Case Study of Film lens Used in the Comic storyboards

• Main Authors: Chia-Ming Lin, 林家敏
• Other Authors: 林俊良
• Format: Others
• Language: zh-TW
• Published: 2011
• Online Access: http://ndltd.ncl.edu.tw/handle/16093498937782654305

碩士 === 國立臺灣師範大學 === 美術學系 === 100 === This study shows the possibilities of how film lenses used in manga. First study the narrative principle of six points: (1) the diegesis and the plot (2) the character (3) Time (4) space (5) the Patten of Development (6) the narrator. Then followed by seven basic camera work as the framework of theoretical: (1) the angle (2) the level and canted (3) the height (4) the distance (5) the focal length (6) the point of view shot (7) continuity editing. Besides from the literature analysis and compiled the above information, collected the Japanese comics issued by the Taiwan Tongli Publishing Co. to analysis and interpret, summarized the purpose of the following three sub-mirror : (1) to switch the plot of a play (2) to make more time (3) to control readers perceptions. Finally, according to the above conclusions, through the personal creation to examine the results which as follows: (1) lens is the channel of the manga narrative, Application and Transformation of the movie storyboard is the essential technique of expression of contemporary manga. (2) manga must be considered how is the way get into the scene, and the rhythm of time and the view lens switching (3) manga storyboard intercept" the relation between cause and effect " to continue the story. (4) action continuity editing is important to the the fight scenes. This study get a comprehensive induction of how the film lens used in the manga form, looking forward to whom has the intention to engage in the manga industry's have the scholarship and theory as their background.