| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 100 === The Western artists started to treat the creation of painting as a process, an interface of self rhetoric after the 60th. Along the diminishing of the images, the connecting of the objects, the self-owned space & territory were expanded. Through this research, the writer tried to exploit the other potentials from painting creations; through the choice of the media materials, no matter it's pigment, carrier, plain, surface, edges and etc., surrounding the exploiting of the nature & boundary of the painting, further into exploit the strong relationship between painting and the intrinsic space, eventually penetrate the painting as the major content of the exhibition space.
Through Zheng Shih exhibition hall, the writer tried to use the surrounding of the space as the origin of the creation, revert the painting articles into this space of exhibition. Through the prioritizing the exhibition space area and treating the paintings as a cross-section of a space, henceforth the painting itself coming directly from the last of the space of the exhibition. Therefore it becomes the very origin of the space.
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