Stories Are Free!-A Narrative Inquiry Into the Exploration of the Wordless Picture Books Through Drama

碩士 === 國立臺南大學 === 戲劇創作與應用學系碩士班 === 100 === This research adopted the methodology of narrative inquiry, which aimed to investigate the process of teaching and learning in the integration of drama and wordless picture books for Grade Two elementary school students. It examined, too, the process of stu...

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Bibliographic Details
Main Authors: Yen-ju Cheng, 鄭晏如
Other Authors: Li-Yu Chang
Format: Others
Language:zh-TW
Published: 2012
Online Access:http://ndltd.ncl.edu.tw/handle/6qr2nr
Description
Summary:碩士 === 國立臺南大學 === 戲劇創作與應用學系碩士班 === 100 === This research adopted the methodology of narrative inquiry, which aimed to investigate the process of teaching and learning in the integration of drama and wordless picture books for Grade Two elementary school students. It examined, too, the process of students’ creating stories through drama, the researcher’s teaching experience, as well as the researcher’s reflective conversations with the observers and the professional drama educators. The research findings are as follows: 1. Course design The integration of drama and wordless picture books teaching enables students to explore stories with greater flexibility and wider perspective. The teaching framework allows the researcher and her students to warm up, watch story pictures, predict story motives, explore picture narratives, create and present stories, have discussions on stories associated with pictures, reflect on stories in terms of drawing and writing, and talk about what happened in class, etc. The researcher, therefore, recommends choosing wordless picture books with basic narrative structures which can be interpreted at will, in designing the courses. 2. Students’ experiences The students narrated the story in a multifaceted way using the forms of oral presentation, performing, writing, drawing and group discussion in which they were being able to learn how to work and cooperate as a team and to exchange experiences, ideas and dialogues with their peers; in the end, they would perceive that stories were free to interpret as time rolled on. 3. Teaching reflections The researcher reflected that the forms and principles of drama conventions should be operated with a consistent conceptual framework, while applied with iii flexibility so as to cater for the students’ needs and know their opinions and feedback in the dynamic process of teaching, which, thereafter, were used in the subsequent lesson designs. 4. A narrative of teaching Composed of both reflections and actions was the study in which experiences, dialogues, viewpoints, stories and reflections were recursively interwoven, making the researcher’s teaching a dynamic and organic inquiry.