A study of Performance Practice in Vieuxtemps'' Violin Concerto No.2 in F# minor, op.19

• Main Authors: Yu-chi Yen, 顏郁錡
• Other Authors: Jen-Jie Yang
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/65008396332293597721

碩士 === 國立中山大學 === 音樂學系研究所 === 100 === In the eighteenth century, the art of violin performance in France was promoted. Until in the nineteenth century, France became the center of art in the Europe, including painting, literary, architecture, and they were developed vigorously. The Paris Conservatory had a key position in music and expanded outward, and the music of Belgium was influenced very much, therefore they are named “Franco-Belgian Violin School.” And the music is abundant in beautiful melodies and brilliant skills. Henry Vieuxtemps was an important and representative violinist at that period. By the way, his works presented romantic emotion. First chapter in this study presents the development of violin school. The second chapter introduces Vieuxtemps’ position of “Franco-Belgian Violin School,” the background of his works. The third and fourth chapter, do a research of the form, the interpretation and the performance style of Violin Concerto No.2 in F# minor, op.19. Then a conclusion in the final chapter. Key words：Franco-Belgian Violin School、Vieuxtemps、Romantic music、violin concerto、performance practice.