Studies on China''s policy of culture industry

• Main Authors: Yu-Hsi Huang, 黃于熙
• Other Authors: Chyun-Yang Wang
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/13221373036885385424

碩士 === 國立中山大學 === 政治學研究所 === 100 === Culture industry may strengthen a nation''s soft power, elevate its economic structures, and promote social development. It is also a more environment-friendly industry. Therefore, almost all developed nations have established policies geared towards cultivating their own culture industry. Mainland China is no exception. It drew up the “National "11th Five-Year Plan” Period Cultural Development Plan” in 2006 and the “Plan on Reinvigoration of the Cultural Industry” in 2009, both signifying the official effort to include culture industry as one of the key focuses in national development. Mainland China cultural industry’s production, raw materials and subject matter had been destroyed in Cultural Revolution. Government of Mainland China started to give an impetus in changing state-operated Culture industry into with a fixed percentage During the Great Proletarian Cultural Revolution, China''s culture industry suffered great loss in production, material, and content. However, when Deng took over, his reform towards market economy led to a more liberal attitude in the Chinese government. Today, many previously state-owned culture-related businesses are partially private-owned, traditional culture industries see possibilities in new technologies such as mobile devices and tablets, and the balance between developments in eastern and western China is valued. All these changes serves a same goal, which is to promote the Chinese culture industry internationally. For China, the development of culture industry not only improves its consumer structure and increase domestic jobs, but also proceeds with environment protection in synergy by shifting the internal economy and industry structures. It is undoubtedly that China''s enormous size is impactful among the world''s cultural market, especially iii when supported by its government. Thus this paper adopts the "Chinese socialism" model of development and analyzes the Chinese culture industry policies.