Encounters in Cultural Production of Globalized India:Cinema, Television, and Arundhati Roy
碩士 === 國立中山大學 === 外國語文學系研究所 === 100 === In 2001, after more than sixty years of independence, India came to be coined into the acronym, BRIC, recognizing India for her emerging economic development status. Liberalization of India’s economy since 1991 from stringent state control has resulted in the...
Main Authors: | Calvin Li-Chyang Chen, 陳立強 |
---|---|
Other Authors: | Hung, Min-hsiou Rachel |
Format: | Others |
Language: | en_US |
Published: |
2012
|
Online Access: | http://ndltd.ncl.edu.tw/handle/38709832407528972853 |
Similar Items
-
An Ecocritical Perspective of Arundhati Roy’s
by: Rukhaya M. Kunhi, et al.
Published: (2017-06-01) -
Untouchable bodies: Arundhati Roy’s corporeal transgressions Untouchable bodies: Arundhati Roy’s corporeal transgressions
by: Sandra Regina Goulart Almeida
Published: (2008-04-01) -
Violence in Arundhati Roy's The God of Small Things
by: Weining Bear, et al.
Published: (2003) -
"Becoming" in Arundhati Roy’s The God of Small Things
by: Ariel Sih Hua Fu, et al.
Published: (2015) -
SUBALTERNITY IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS
by: Şule OKUROĞLU ÖZÜN, et al.
Published: (2020-06-01)