The Application of Voice Elements in Percussion Solo Pieces－for two examples：《Toucher》and《Graffitis》
碩士 === 高雄師範大學 === 音樂學系 === 100 === Vinko Globokar is an outstanding contemporary French composer; Georges Aperghis is a Greek composer who is living and creating his works in France. Their works include instrumental and vocal works, large and small scale of ensembles, and so on. Globokar’s Toucher a...
| Main Authors: | , |
|---|---|
| Other Authors: | |
| Format: | Others |
| Language: | zh-TW |
| Published: |
2012
|
| Online Access: | http://ndltd.ncl.edu.tw/handle/62379989539749830857 |
| Summary: | 碩士 === 高雄師範大學 === 音樂學系 === 100 === Vinko Globokar is an outstanding contemporary French composer; Georges Aperghis is a Greek composer who is living and creating his works in France. Their works include instrumental and vocal works, large and small scale of ensembles, and so on. Globokar’s Toucher and Aperghis’s Graffitis are also the integration of voice and percussion solo works. The voice part is not just presenting vocal music itself and the music is not only playing the rhythm for the part of voice. They also include the application of theatrical elements where the players recite the text of the cadence with facial expressions and body movements that cast great impact on the performance. In addition, these two composers did not designate the way of performance in the music notation, which provides the performers much freedom of interpretation of the music.
The author hopes to provide analysis of these two songs in depth from this research. Through personal perspectives of analysis, the author expects providing better understanding of this type of solo percussion works.
|
|---|