The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation
碩士 === 國立高雄師範大學 === 美術學系 === 100 === Through the work of Ming-Out Li’s Bodily Perception, the thesis attempts to discuss Ching-Chi Chiu 's works done from 2009 to 2012. Among the works made during this period of time, I intended to categorize the works into three chapters: 1) series of the mirr...
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ndltd-TW-100NKNU52330352019-05-15T20:43:21Z http://ndltd.ncl.edu.tw/handle/767guu The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation 李明奧的身體觸感-邱清吉創作自述 Ching-Chi Chiu 邱清吉 碩士 國立高雄師範大學 美術學系 100 Through the work of Ming-Out Li’s Bodily Perception, the thesis attempts to discuss Ching-Chi Chiu 's works done from 2009 to 2012. Among the works made during this period of time, I intended to categorize the works into three chapters: 1) series of the mirror scenery, 2) series of the black moondial trace, and 3) series of body collision. During the time of surveying the works, I had a new work, The route-map of Rhizomatic process. This work generalizes and incorporates the aforementioned works in order to survey, explore, and induce the bodily symptoms of the work. Meanwhile, the search for the context of the work was made to link to form the “surface” and “body” of the self-cognition, i.e. the “I” situated in the process of creation: Ming-Ao Li’s body, which was created to extend and expand the path of my works. 洪上翔 2012 學位論文 ; thesis zh-TW |
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zh-TW |
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碩士 === 國立高雄師範大學 === 美術學系 === 100 === Through the work of Ming-Out Li’s Bodily Perception, the thesis attempts to discuss Ching-Chi Chiu 's works done from 2009 to 2012. Among the works made during this period of time, I intended to categorize the works into three chapters: 1) series of the mirror scenery, 2) series of the black moondial trace, and 3) series of body collision. During the time of surveying the works, I had a new work, The route-map of Rhizomatic process. This work generalizes and incorporates the aforementioned works in order to survey, explore, and induce the bodily symptoms of the work. Meanwhile, the search for the context of the work was made to link to form the “surface” and “body” of the self-cognition, i.e. the “I” situated in the process of creation: Ming-Ao Li’s body, which was created to extend and expand the path of my works.
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author2 |
洪上翔 |
author_facet |
洪上翔 Ching-Chi Chiu 邱清吉 |
author |
Ching-Chi Chiu 邱清吉 |
spellingShingle |
Ching-Chi Chiu 邱清吉 The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation |
author_sort |
Ching-Chi Chiu |
title |
The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation |
title_short |
The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation |
title_full |
The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation |
title_fullStr |
The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation |
title_full_unstemmed |
The bodily perception of Ming-Out Li ─ Ching-Chi Chiu 's statement of artistic creation |
title_sort |
bodily perception of ming-out li ─ ching-chi chiu 's statement of artistic creation |
publishDate |
2012 |
url |
http://ndltd.ncl.edu.tw/handle/767guu |
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