Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh
碩士 === 南華大學 === 視覺與媒體藝術學系 === 100 === The topic of creation of this essay was according to the Spirit and Deep feeling. The inspiration came from my mind impression. I gave the new vitality to the solid modeling creation since the first feeling of new thing that I touched, and I turned the first n...
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ndltd-TW-100NHU056160042015-10-13T20:52:01Z http://ndltd.ncl.edu.tw/handle/33072033380362108943 Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh 心靈・深觸—謝天凱立體造形創作論述 Tian-kai Hsieh 謝天凱 碩士 南華大學 視覺與媒體藝術學系 100 The topic of creation of this essay was according to the Spirit and Deep feeling. The inspiration came from my mind impression. I gave the new vitality to the solid modeling creation since the first feeling of new thing that I touched, and I turned the first new feeling into the modeling works which I want to present to you. I was trying to express the feeling of self-deep inside. Analyze from the art theory and the creative experience of artist, transmit the perception of self-experience through actions, and discuss the form of object of beauty by the feeling of self-soul. The creative pattern of arts changes by the trend of the times, and there is no limit in form. There were many different elements of mediums in my creative pattern, and each medium symbolize its own sign. Then I presented art by different ways, such as abstraction, representation, metaphor and so on. The first series of my works was used metal as the main medium. Metal usually presents the cold and rigid feelings, it also matched the emotion of cold and calm which I want to presented. So I tried to combine the emotion and the medium to reach the complementary effect, then gave works new meaning and discuss the correlation between the theory of soul and the creation of art. In this essay, I will explain my creative idea, production process, and the form discussion to you. The content summaries of chapters are follows: Chapter 1 talks about the research motivation, research purpose, research range, research limitation, research methods, and structure and explain the meaning of noun. Chapter 2 analyzes the sculpture model and the visual art. Chapter 3 explains the creation process. Chapter 4 chooses the creative works to explain and confirm the analyzed effect. Chapter 5 is conclusion. Cheng-jen Lin 林正仁 2012 學位論文 ; thesis 61 zh-TW |
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碩士 === 南華大學 === 視覺與媒體藝術學系 === 100 === The topic of creation of this essay was according to the Spirit and Deep feeling.
The inspiration came from my mind impression. I gave the new vitality to the solid modeling creation since the first feeling of new thing that I touched, and I turned the first new feeling into the modeling works which I want to present to you.
I was trying to express the feeling of self-deep inside. Analyze from the art theory and the creative experience of artist, transmit the perception of self-experience through actions, and discuss the form of object of beauty by the feeling of self-soul.
The creative pattern of arts changes by the trend of the times, and there is no limit in form. There were many different elements of mediums in my creative pattern, and each medium symbolize its own sign. Then I presented art by different ways, such as abstraction, representation, metaphor and so on.
The first series of my works was used metal as the main medium. Metal usually presents the cold and rigid feelings, it also matched the emotion of cold and calm which I want to presented. So I tried to combine the emotion and the medium to reach the complementary effect, then gave works new meaning and discuss the correlation between the theory of soul and the creation of art.
In this essay, I will explain my creative idea, production process, and the form discussion to you. The content summaries of chapters are follows:
Chapter 1 talks about the research motivation, research purpose, research range, research limitation, research methods, and structure and explain the meaning of noun.
Chapter 2 analyzes the sculpture model and the visual art.
Chapter 3 explains the creation process.
Chapter 4 chooses the creative works to explain and confirm the analyzed effect.
Chapter 5 is conclusion.
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Cheng-jen Lin |
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Cheng-jen Lin Tian-kai Hsieh 謝天凱 |
author |
Tian-kai Hsieh 謝天凱 |
spellingShingle |
Tian-kai Hsieh 謝天凱 Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh |
author_sort |
Tian-kai Hsieh |
title |
Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh |
title_short |
Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh |
title_full |
Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh |
title_fullStr |
Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh |
title_full_unstemmed |
Contact Deep Inside the Heart--The Three-Dimensional Modeling Atristic Production by Tian-Kai Hsieh |
title_sort |
contact deep inside the heart--the three-dimensional modeling atristic production by tian-kai hsieh |
publishDate |
2012 |
url |
http://ndltd.ncl.edu.tw/handle/33072033380362108943 |
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