The Research on the Arts and Essence of Mr. Po-ping Huang''s Calligraphy

• Main Authors: Su-mei Huang, 黃素梅
• Other Authors: Cheng-che Chen
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/49883816466927487188

碩士 === 南華大學 === 建築與景觀學系環境藝術碩士班 === 100 === 　　Bo-ping Huang is a modern calligrapher known to the world. He started learning calligraphy at the age of 6 and is now still a healthy 93-year-old. He is the only calligrapher ever that can write in 12 different types of calligraphy, and also the only one that is able to mix all types of calligraphy in one single work. 　 　　The authentic calligraphy Huang created refers to the one passed on from the ancient times of the Three Emperors to the times of the Chin, Han, and Tang Dynasty. Huang’s calligraphy is based on the Chinese character ”永” in the ”chen-shu” （chinese：”真書”） version and puts emphasis on the “horizontal and vertical.” He also has a new theory of the “Five Correctitudes,” which means to correct one’s brush, heart, body, thoughts, and minds, melting in the history and culture of the traditions of Republic of China. He says that “you are what your writings look like,” which focuses on the foundation of calligraphy, regarding calligraphy as a way, and an attitude of life, and nevertheless, presenting the depth and amazement of calligraphy in the world of art. 　 　　This essay is titled “The Research on the Arts and Essence of Mr. Po-ping Huang’s Calligraphy.” The first chapter, the introduction, illustrates the motives and purpose of this study, the study methods and its limits, and the conference of documentary. In the second chapter, I will delve into Huang’s historical and learning background, while analyzing the artistic skills of Huang’s calligraphy in the third chapter, and the inner spirits in the fourth. The fifth chapter will be the final conclusion and recommendation. 　 　　In the study of Huang’s artistic calligraphy and its spirit, I will look into the influences that the calligraphy schooling has on social phenomenon, and through analysis on Huang’s calligraphy, bring out his contribution to calligraphy and passing down the traditional culture along with my recommendation from my study.