| Summary: | 碩士 === 南華大學 === 哲學與生命教育學系 === 100 === In this paper I would like to study the relationship between landscape praintings in china and its ancient philosophy, especially aesthetic thought of Taoism, its representation is Zhuangze. The problem of freedom for Taoism is the most important idea, that is, people live without dependence, namely free from all constraints and according to his nature. The problem of freedom of Zhuangze is wander, such as a flag in air. It drifts without purpose, but with uselessness and harmony. Freedom in subject is Xinzhai(心齋) and Zuowang(坐忘). The base theory which helps us to analyse the relationship between Zhuangze and landscape paintings is the thought of Hsu Fu-kuan and Zong Baihua, and in this paper I would take some famous works in China in order to show such relation. Zong Baihua has constributed for aesthetical thought in the history of landscape painting in china, and Hsu Fu-kuan is the first scholar who makes a systematicalresearch on the relation. The reason why I use works in my paper which belongs to the department of philosophy is that I would like to make my paper not in abstract but in a concreted.
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