The Investigation of The Songs of the Midnight

碩士 === 國立嘉義大學 === 中國文學系研究所 === 100 === Abstract This study investigates The Songs of the Midnight, a category of Wuge Xiqu (the Chinese folk songs in Nan Dynasty.) The design of this study focuses the subject on one category of Chinese folk songs, and discusses the works of The Songs of the Midnight...

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Main Authors: Hung-Miau Chen, 陳虹妙
Other Authors: Shr-Chang Kang
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/28376807498588449507
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spelling ndltd-TW-100NCYU50450012015-10-14T04:07:04Z http://ndltd.ncl.edu.tw/handle/28376807498588449507 The Investigation of The Songs of the Midnight 樂府「子夜歌」研究 Hung-Miau Chen 陳虹妙 碩士 國立嘉義大學 中國文學系研究所 100 Abstract This study investigates The Songs of the Midnight, a category of Wuge Xiqu (the Chinese folk songs in Nan Dynasty.) The design of this study focuses the subject on one category of Chinese folk songs, and discusses the works of The Songs of the Midnight from Nan Dynasty to Ching Dynasty, expecting to deeply explore this category of Chinese folk songs. The researcher collects the works of The Songs of the Midnight from Nan Dynasty to Ching Dynasty, categorizing them by dynasty, comparing the differences among these works in different dynasties, and analyzing their changes and relations. The finding of this study shows the style of The Songs of the Midnight is erotic, and the subjects mostly talk about love, expressing in feminine tone, telling the joy and sorrow in love. Besides, the features of The Songs of the Midnight are the sentence pattern (five characters a sentence, four sentences a songs), the usage of personal pronoun and double meaning words. Shr-Chang Kang 康世昌 學位論文 ; thesis 188 zh-TW
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language zh-TW
format Others
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description 碩士 === 國立嘉義大學 === 中國文學系研究所 === 100 === Abstract This study investigates The Songs of the Midnight, a category of Wuge Xiqu (the Chinese folk songs in Nan Dynasty.) The design of this study focuses the subject on one category of Chinese folk songs, and discusses the works of The Songs of the Midnight from Nan Dynasty to Ching Dynasty, expecting to deeply explore this category of Chinese folk songs. The researcher collects the works of The Songs of the Midnight from Nan Dynasty to Ching Dynasty, categorizing them by dynasty, comparing the differences among these works in different dynasties, and analyzing their changes and relations. The finding of this study shows the style of The Songs of the Midnight is erotic, and the subjects mostly talk about love, expressing in feminine tone, telling the joy and sorrow in love. Besides, the features of The Songs of the Midnight are the sentence pattern (five characters a sentence, four sentences a songs), the usage of personal pronoun and double meaning words.
author2 Shr-Chang Kang
author_facet Shr-Chang Kang
Hung-Miau Chen
陳虹妙
author Hung-Miau Chen
陳虹妙
spellingShingle Hung-Miau Chen
陳虹妙
The Investigation of The Songs of the Midnight
author_sort Hung-Miau Chen
title The Investigation of The Songs of the Midnight
title_short The Investigation of The Songs of the Midnight
title_full The Investigation of The Songs of the Midnight
title_fullStr The Investigation of The Songs of the Midnight
title_full_unstemmed The Investigation of The Songs of the Midnight
title_sort investigation of the songs of the midnight
url http://ndltd.ncl.edu.tw/handle/28376807498588449507
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