Summary: | 碩士 === 國立中央大學 === 中國文學研究所 === 100 === After scholar Lu E Ting put forward the evaluation “The light of Opera Highlights ”on the development of Kunqu Opera of the Qianlong and Jiaqing period. The studies of the activities of Kunqu Opera of the Qianlong and Jiaqing period mostly concentrated on the study of “Opera Highlights.” The major problems include the source of the “Opera Highlights,” the formation and development of “Opera Highlights,” as well as its artistic value. Although the “Opera Highlights ” is a very important issue while exploring the case of the Kunqu Opera in Qing Dynasty, the evolution and development on the performance of “Full-version ” Kunqu Opera can not be ignored.
However, due to the inadequate of the historical data and difficulty in reading literature, the study of the “Full-version” Kunqu Opera is not well-noticed. This paper is on the basis of the plays in Lu E Ting’s research “The discuss of ‘Full-version’ Kunqu Opera in Qing Dynasty .”Assorting the plays into old works and new creation works, in order to find out the different performance formation between the “Full-version” Kunqu Opera and “Opera Highlights ” , and to gain the achievements and significance of “Full-version” Kunqu Opera. In addition to the literature analysis, this paper seeks to discuss the Performance of “Full-version” Kunqu Opera since Qing Qianlong and Jiaqing, to put forward a more profound understanding of the development of Kunqu Opera in Qing Dynasty.
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