Leonardo da Vinci's Clash-Museum of Huei-Lai Site

• Main Authors: Chun-ShanYu, 游淳善
• Other Authors: Wei-Chieh Wang
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/53429001431711064832

碩士 === 國立成功大學 === 建築學系碩博士班 === 100 === In Fifteenth Century, Leonardo da Vinci, in his Treatise on Painting: has expounded the best way for learning, to record the observed of nature and life experience is more important than to stay in the studio. We can see many natural records from Leonardo's manuscripts, which has been handed down for more than four hundred years, are closely linked with his process of the invention. Some of those were lost, however, some debris turns to be inspiration which open their imaginary world of different experts. Taichung's metropolitan area own abundant legacy cultural, the buried artifact has been facing the value conflict between urban development and conservation of sites. This thesis is based on Leonardo's transverse waves manuscript which inspires the author to reinterpret the meaning of the double corrugated which might hidden the proposed between the preservation of sites and urban development, and gives the example about the possibility of the coexistence of Hui-Lai Site Museum and the hotel co-construction design. This studies stress that saving sites not only to protect historical relics which could be an urban historical memory or city sightseeing resources, but also to enrich urban living environment that provide more educational materials. My design strategy based on contrasts: void and solid, light and heavy, old and new, ancient ruins and the new-built hotel. This studies also focus on the urban landscape design from which, we hope, to reach the ruins preservation and the city development reciprocal relationship of coexistence.