Teshuvah
碩士 === 國立政治大學 === 廣播電視學研究所 === 100 === The Teshuvah is an independently-funded original narrative short film, which is shot by HD-DSLR camera. The creator taps into his real-life experience over the past 20 years and more, aggregating and distilling all the love, fondness, pain, affections an...
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ndltd-TW-100NCCU54720102015-10-13T21:07:20Z http://ndltd.ncl.edu.tw/handle/74443879974020808985 Teshuvah 罪羊人 Li, Jheng Neng 李政能 碩士 國立政治大學 廣播電視學研究所 100 The Teshuvah is an independently-funded original narrative short film, which is shot by HD-DSLR camera. The creator taps into his real-life experience over the past 20 years and more, aggregating and distilling all the love, fondness, pain, affections and confusions, with its theme is set on sin, religions and forgiveness. The story tells an ambulance driver, who serves for his sentence in prison as he was convicted of medical negligence, haunted by his feeling of guilt after he came out of prison. He eventually becomes trapped by a chaos of seeking redemption from religious belief. After all his struggling, he still cannot escape from the shackle of life`s circulation, and it seems that either human or God(s) could provide a perfect answer to the riddle of crime. As for Literature Review, Intertextuality and movie genres are covered since the film has borrowed from old spaghetti-western movie clips to function as a metaphor of affections bound, while other topics like psychology, philosophy, and religious rituals are also referred to; hence, the feeling of guilt and Jewish Ten Days of Penitence are also depicted. Three other relevant feature films are listed herein to serve the purpose of critical analysis and comparison. They are Secret Sunshine by South Korean director Lee Chang-Tung, The Edge of Heaven by German director Fatih Akin, and 21 Grams by Mexican director Alejandro González Iñárritu. In the respect of presentations of film works, this thesis goes through every essential phase, outlines and provides analysis on narration, genres, casting, location hunting, arts, costumes, acting, shooting, lighting, editting, original music, and sounds. It also indicates that mindsets, production process and so on are also incorporated into different chapters of a film to faithfully represent its creators mind. Liao, Cing Song 廖慶松 學位論文 ; thesis 51 zh-TW |
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碩士 === 國立政治大學 === 廣播電視學研究所 === 100 === The Teshuvah is an independently-funded original narrative short film, which is shot by HD-DSLR camera. The creator taps into his real-life experience over the past 20 years and more, aggregating and distilling all the love, fondness, pain, affections and confusions, with its theme is set on sin, religions and forgiveness. The story tells an ambulance driver, who serves for his sentence in prison as he was convicted of medical negligence, haunted by his feeling of guilt after he came out of prison. He eventually becomes trapped by a chaos of seeking redemption from religious belief. After all his struggling, he still cannot escape from the shackle of life`s circulation, and it seems that either human or God(s) could provide a perfect answer to the riddle of crime.
As for Literature Review, Intertextuality and movie genres are covered since the film has borrowed from old spaghetti-western movie clips to function as a metaphor of affections bound, while other topics like psychology, philosophy, and religious rituals are also referred to; hence, the feeling of guilt and Jewish Ten Days of Penitence are also depicted. Three other relevant feature films are listed herein to serve the purpose of critical analysis and comparison. They are Secret Sunshine by South Korean director Lee Chang-Tung, The Edge of Heaven by German director Fatih Akin, and 21 Grams by Mexican director Alejandro González Iñárritu. In the respect of presentations of film works, this thesis goes through every essential phase, outlines and provides analysis on narration, genres, casting, location hunting, arts, costumes, acting, shooting, lighting, editting, original music, and sounds. It also indicates that mindsets, production process and so on are also incorporated into different chapters of a film to faithfully represent its creators mind.
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Liao, Cing Song |
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Liao, Cing Song Li, Jheng Neng 李政能 |
author |
Li, Jheng Neng 李政能 |
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Li, Jheng Neng 李政能 Teshuvah |
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Li, Jheng Neng |
title |
Teshuvah |
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Teshuvah |
title_full |
Teshuvah |
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Teshuvah |
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Teshuvah |
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teshuvah |
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http://ndltd.ncl.edu.tw/handle/74443879974020808985 |
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AT lijhengneng teshuvah AT lǐzhèngnéng teshuvah AT lijhengneng zuìyángrén AT lǐzhèngnéng zuìyángrén |
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