Persönlichkeitsmodell in Hermann Hesses „Der Steppenwolf“ (1927) und „Narziß und Goldmund“ (1930)

• Main Authors: Wu, Chun, 烏雋
• Other Authors: Chang, Sanlii
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/68560188980503028631

碩士 === 輔仁大學 === 德國語文學系 === 100 === The following work gives details of the historical background of the origin of Steppenwolf and Narcissus and Goldmund and a profound analysis of the characters in these two fictions. Yet, this work puts a major emphasis on the analysis of Harry Haller’s and Goldmund’s development of personality – the main characters of Steppenwolf and Narcissus and Goldmund as model of Hesse’s concept of personality. The apprehension about social development in Harry Haller’s times causes him psychosis. Hermine, Pablo, and Maria bring Harry Haller back to the social life. He calms down again and finally realizes that he has to learn to live in the harsh reality. Because of the shameful behavior of Goldmund’s mother, his father sends him to the monastery in his youth. However, under the influence of novice Narcissus, Goldmund gives up his goal of becoming a clergyman. He then leaves the monastery and starts to think of his life through wanderings. At the meetings with Lydia, Viktor, Niklaus, and Lene, Goldmund experiences conflicts rooted in differing values. He experiences the hardness of vagabondage and a creative urge as a sculptor. In this way Goldmund eventually finds out his goal in life. With Harry Haller and Goldmund, these two fictions represent the following model of personality: an individual has to answer these two questions “Who am I?” and “How do I Live?” and makes a decision for himself for the purpose of finding his satisfaction. Nevertheless, his fellow men may also influence him and help him make the decision.