A Study on Béla Bartók's Opera Bluebeard's Castle

• Main Authors: Hsieh, Hsin-Hsin, 謝欣芯
• Other Authors: Meu-Ling Shyu
• Format: Others
• Language: zh-TW
• Published: 2012
• Online Access: http://ndltd.ncl.edu.tw/handle/66017429557347027070

碩士 === 輔仁大學 === 音樂研究所 === 100 === During the alternation from the end of 19 century to the early of 20 century, modern music displays a diverse appearance and style, nevertheless, Béla Bartók is still able to create a typical music of Hungary. To find out the most primitive and natural Hungarian music, he dedicates his lifetime to initiatively research and collect folk song, and makes a tremendous contribution to Ethnomusicology. Bartók himself is not only inspired from the folk music, but also benefited in the music creation that has been blending into his life and helping him to create his own music vocabulary later. In Bartók’s compositions, he is primarily basic upon piano works, but his only opera Bluebeard’s Castle should become one of his representative works as a norm of Hungarian opera with unique Hungarian folk style. This thesis on Béla Bartók’s Bluebeard’s Castle as a studying theme to explore the relevant references from his entire lift to music style, and analyze his music and drama, then further to comprehend deeply the significant representation of the opera Bluebeard’s Castle.