Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach

碩士 === 元智大學 === 資訊傳播學系 === 99 === The global music industry is entering a new transition period. This has been brought about by the emergence of digital format of audio file - MP3. In the last 10 years, customers of music markets adopted digital way to explore, acquire, enjoy music content as in...

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Main Authors: Yi-Ming Chang, 張詒銘
Other Authors: Hsiao-Hui Wang
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/61802824591785974533
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spelling ndltd-TW-099YZU056760092016-04-13T04:16:58Z http://ndltd.ncl.edu.tw/handle/61802824591785974533 Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach 從破壞創新觀點論數位音樂市場之競爭策略 Yi-Ming Chang 張詒銘 碩士 元智大學 資訊傳播學系 99 The global music industry is entering a new transition period. This has been brought about by the emergence of digital format of audio file - MP3. In the last 10 years, customers of music markets adopted digital way to explore, acquire, enjoy music content as internet and new type of music player reaching maturity. In response, the industry is shifting its strategic focus away from selling physical CDs, towards exploring new opportunities through the utilization of new technology in communication and content. The mass degradation in physical CDs makes traditional record companies don’t know how to maintain their flourishing business. The ambiguity between physical market and virtual world leads their strategies to uncertainty. Under this situation, firms all want to have a clear scope of actions while the whole ecosystem of music industry is starting to form as a new one. We focus on finding out the strategic models of music corporations in Taiwan. This paper is aimed at designing a developing model on companies in music industry from a strategic perspective. Through this strategic model, company can have steps to follow to generate a strategic option which can be operated and used to setup tactic plans. The study adopts a conceptual framework of disruptive innovation which was developed by Clayton M. Christensen, Scott D. Anthony & Erik A. Roth (2005) – to analyze how a competitor can react in the transformation of music industry and creates value to enhance competitiveness. Our conclusions and propositions are stated as follows: 1) the music industry in Taiwan will have a brand new supply chain derived from digital revolution; 2) there is some clear strategy for different types of music company transforming to survive in the digital era; 3) innovation would be a “must” to music company seeking possibilities in the future world; 4) disruptive concept will lead to opportunity of success for the new competitors in music industry. Hsiao-Hui Wang 王小惠 2011 學位論文 ; thesis 110 zh-TW
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description 碩士 === 元智大學 === 資訊傳播學系 === 99 === The global music industry is entering a new transition period. This has been brought about by the emergence of digital format of audio file - MP3. In the last 10 years, customers of music markets adopted digital way to explore, acquire, enjoy music content as internet and new type of music player reaching maturity. In response, the industry is shifting its strategic focus away from selling physical CDs, towards exploring new opportunities through the utilization of new technology in communication and content. The mass degradation in physical CDs makes traditional record companies don’t know how to maintain their flourishing business. The ambiguity between physical market and virtual world leads their strategies to uncertainty. Under this situation, firms all want to have a clear scope of actions while the whole ecosystem of music industry is starting to form as a new one. We focus on finding out the strategic models of music corporations in Taiwan. This paper is aimed at designing a developing model on companies in music industry from a strategic perspective. Through this strategic model, company can have steps to follow to generate a strategic option which can be operated and used to setup tactic plans. The study adopts a conceptual framework of disruptive innovation which was developed by Clayton M. Christensen, Scott D. Anthony & Erik A. Roth (2005) – to analyze how a competitor can react in the transformation of music industry and creates value to enhance competitiveness. Our conclusions and propositions are stated as follows: 1) the music industry in Taiwan will have a brand new supply chain derived from digital revolution; 2) there is some clear strategy for different types of music company transforming to survive in the digital era; 3) innovation would be a “must” to music company seeking possibilities in the future world; 4) disruptive concept will lead to opportunity of success for the new competitors in music industry.
author2 Hsiao-Hui Wang
author_facet Hsiao-Hui Wang
Yi-Ming Chang
張詒銘
author Yi-Ming Chang
張詒銘
spellingShingle Yi-Ming Chang
張詒銘
Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach
author_sort Yi-Ming Chang
title Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach
title_short Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach
title_full Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach
title_fullStr Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach
title_full_unstemmed Competitiveness Analysis on the Emerging Digital Music Market:From A Disruptive Innovation Approach
title_sort competitiveness analysis on the emerging digital music market:from a disruptive innovation approach
publishDate 2011
url http://ndltd.ncl.edu.tw/handle/61802824591785974533
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